Category: United States (page 1 of 5)

#EmptyThePews

I posted this elsewhere and on Twitter first, but it also belongs here on the Anon-a-Blog.

Why my pew has been empty since 1982: A long thread for anyone who may be interested, et al. Perhaps someone may relate or need to hear. Inspired by @C_Stroop and #EmptyThePews on Twitter.

It starts in 1975. I’m 12. A budding little gay boy. At the C. of the Naz., we get a spiffy little sermon, which runs like this: “Speaking in tongues is evidence of demonic possession!!!” Amens, claps, whistles, “Kill the Devil!”

Fast forward a week later. Someone in charge of our family’s spiritual development decides to follow info bestowed by the Holy Spirit
Fairy, an entity which seems to act rather … impetuously. Or at least that was my experience with Him.

The Spirit has moved someone that we must immediately abandon the C. of the Naz., where, remember, I’ve just been told on the authority of the church into which I was born and raised that speaking in tongues is evidence of demonic possession.

[An aside: 12-year-old me had memorized the 1960 Church Manual so I could know how to perform weddings and funerals because … get this … I thought I would become a C. of the Naz. preacher.]

Given a choice about which church to attend would have been lovely. Alas, it was not to be. I was the young, stupid child who couldn’t possibly be trusted to know what was good for him, spiritually speaking. At best, a “baby Christian.” (These buzzwords sound familiar?)

Actually, after just one hour of being exposed to the new church’s … shall we say, bizarreness and cultish overtones … I’m confident I would have scurried back underneath the skirts of the mother church (of the Naz.) if I had a driver’s license and a car. But I didn’t.

So I wasn’t given a choice. Remember the previous sermon, supposedly delivered by a stern God to CotN Leaders possessed of “Utter Sanctification” and who are therefore qualified to speak on subjects Most Weighty: “Speaking in tongues is evidence of demonic possession!”

Again, I was 12 years old. Puberty was dawning. Teenage outrage, hatred of hypocrisy, self-righteousness, inflated sense of injustice, and general all-around questioning and boundary-pushing are imminent. I needed constancy. But the Spirit had spoken and must be obeyed.

The next Sunday, we don’t drive over to be with the sanctified who hate devilish tongue-speaking. Instead, we head straight for the new church, an Assembly of God knockoff/alleged “non-denominational.” “We’re going here from now on,” says Parental Dearest.

What happened the first Sunday at the new church to which we had been led by the Holy Spirit? Well, I’ll set the scene one more time: The previous week, the church of my birth told me speaking in tongues is evidence of demonic possession.

This week? FRICKIN’ HOLY MARY MOTHER OF GOD! JESUS MARY AND JOSEPH! POPE PAUL VI AND ALL THE SAINTS! AND DEAR GOD WHY ARE ALL THESE WOMEN IN EXPENSIVE ULTRASUEDE DRESSES RUNNING UP AND DOWN THE AISLES SCREAMING THEIR FOOL HEADS OFF???!!!!!

Then: The kicker. If I am to understand the main belief point through hours of gibberish, a complete lack of any catechism, no orderly service of any kind, no regular communion, and a multitude of other things, a central belief is this:

“If you do NOT speak in tongues, God is withholding His greatest blessing from you and therefore there is something wrong with you if you don’t immediately babble in tongues in ‘the presence of the Lord.'”

In other words, NOT speaking in tongues was evidence of God withholding his greatest gift from you & you were opening yourself up to … you guessed it, demonic possession. As soon as I hit 16, my pew began to be empty. By 18, only bribery could get me in it. So…bye!

It would take a long thread to describe coming out (yeah, the Spirit got involved there, too), getting away & being an adult in charge of myself & the joys of life since I got myself to #EmptyThePews. Thanks for the inspiration, @C_Stroop and thanks to everyone who read!

Movie Night: Red Dust


Four Stars
Four Stars

From 1932, it’s the second of six films Jean Harlow made with Clark Gable: Red Dust. (21 years later, it would be remade as Mogambo, the setting moved to Africa, with Ava Gardner in the Jean Harlow role and Grace Kelly in the Mary Astor Role. It stank. Red Dust is superior, like most Hollywood remakes, to its later imitator. The six films Gable and Harlow did together were: The Secret Six (1931); Red Dust (1932); Hold your Man (1933); China Seas (1935); Wife vs. Secretary (1936); and Saratoga (1937). Harlow died during filming of Saratoga.)


The « synopsis » according to The Movie Database (TMDb) runs thusly:

“Dennis, owner of a rubber plantation in Indochina, is involved with Vantine, who left Saigon to evade the police; but when his new surveyor, Gary, arrives along with his refined but sensual wife, Barbara, Dennis gets infatuated by her.”

TMDb

IMDb has a « a shorter and poorer way of putting it »:

“The owner of a rubber plantation becomes involved with the new wife of one of his employees.”

IMDb

Way to drain flavor completely out of a synopsis, Amazonians!

Red Dust is pretty much everything that cancel culture despises today. There’s racism, sexism, slavery, the patriarchy time 100, misogyny, misanthropy, animal abuse, cuckolding, adultery, (and behind the scenes, homophobia and violence) and probably a few other things I can’t even identify off the top of my head right now. But even if cancel culture would like to burn this film, it’s rather juvenile to think adults can’t look, read or watch something from earlier periods of our history and gain some understanding of a time in the nation’s life and adopt what we’ve just seen as our own outlook. In other words, watching Red Dust won’t make you go out and slap blond women on the butt or enslave coolies in Vietnam or any of the other multitudinous sins.

We have been wondering if a boycott TCM movement will start; pretty much everything they show is a reminder of the really evil or tawdry foundations of this country. And pretty much everything they show is also a pointer to a better future, even if that future is on hold right now while Trump, Bolsonaro, Johnson, Orban, Netanyahu, Erdogan and various ayatollahs hold power.

But all that is a digression. The film itself should be considered in context. It has it’s funny moments in the banter of Gable and Harlow, but it is a drama with a twist ending. It’s the tale of what happens when a rubber plantation owner hires a surveyor, Gene Raymond, who brings along his pretty wife, Mary Astor. While Raymond writhes on the bed with malaria, Gable and Astor spark up some flames. And in the middle of all this lands, Harlow, a brassy blond hiding out in the jungle after some unspecified misunderstandings with the gendarmerie in Saigon (pronounced, inexplicably, as “Say-gone”). There’s some business with a local tiger, some difficulties with not being able to trust the local coolies, a caricature of a cook, Willie Fung who does the grinning, giggly “so solly” bit, and inadequate bathing facilities.

The attraction here isn’t really the cultural relic/curiousity value, it’s the variation of the old man meets woman, they hate each other, they clash with sparkling dialogue and then end up together ’til death they do part. This bit has been done to death in Hollywood’s 100+ year run, but it can be freshened and redeemed if the scriptwriter is up to the job. In this case, the writer wasn’t really up to the job with the majority of the script, but for some reason, excelled with the dialogue as long as it was between Harlow and Gable. And that’s where it shines.

Of course, anything Harlow did shined, especially Dinner at Eight. Gable gets first billing here, and the movie is supposedly about him, but it’s Harlow who does the best job. The proof is in the difference between the Harlow/Gable exchanges and those of Astor/Gable. Harlow wins hands down every time she’s onscreen. Gable may have dominated the 1930s cinema with his star power, culminating in 1939’s bullshit “Lost Cause” revisionist rebel/traitor masterpiece, Gone With the Wind, but Harlow was superior in every way, at least when she was given half a chance.

Sadly, Harlow was suffering from nephritis and died of uremic poisoning during the filming of her last Gable vehicle, 1937’s Saratoga. Remarkably, she was just 26 when she died, having such an amazing career in such a short time that it’s mind-boggling to think of what she might have done with a longer life. This would be repeated in the case of Judy Holliday in the 1950s, who was an awesome actress whose life ended too soon. It would have been incredible for Harlow and Holliday to have done a film together at least once. Ah, what might have been (at least if they had been given a great script and director).

We at least have Harlow and Holliday on film fairly easy to access. Red Dust is on TCM as well as DVD.

What did reviewers have to say about Red Dust?

And that behind the scenes homophobia violence? Well, that’s the Gene Raymond story, who married Jeanette McDonald (of “Nelson Eddy and” fame), but had a rather interesting life. Producer/Director George Sidney once called Raymond “the most gorgeous thing the world has ever seen.” Seems a bit far fetched for me, but he was pretty. And therein lay the problem. We’ll let Wikipedia take over:

“Biographer Sharon Rich reported in her Nelson Eddy and Jeanette MacDonald biography, Sweethearts, that Raymond and MacDonald had a rocky marriage, with Raymond physically and emotionally abusing MacDonald, and having affairs with men. This began on their honeymoon [in 1937] when MacDonald discovered Raymond in bed with Buddy Rogers.”

Wikipedia

I’m sure that would have been pretty frickin’ hot, the most gorgeous thing in the world in bed with the equally hot Buddy Rogers. But go on:

“Rich reported that Raymond had been arrested three times, the first in January 1938, as verified by a court document, and also in England during his army service, for his behavior. Raymond’s wedding to MacDonald, orchestrated by Louis B. Mayer forced MacDonald to become Raymond’s beard and the 1938 arrest resulted in Mayer blacklisting him in Hollywood for almost two years.”

Ibid

It gets better:

“Biographer E. J. Fleming also alleged that Eddy had confronted Raymond for abusing MacDonald, who was visibly pregnant with Eddy’s child while filming Sweethearts which ended with Eddy attacking him and leaving him for dead, disguised in the press as Raymond recovering from falling down the stairs.”

Ibid

Both Rogers and Raymond, like most queers of their day, went on to other marriages with women and spent their remaining years deeply in the closet. It needs to be pointed out that:

“Raymond publicly refuted the allegations of abuse, neglect and details of his marriage to MacDonald, which were published during his lifetime.”

Ibid

That quote construction seems to leave out things like affairs with men and romping in bed with Buddy Rogers, but who knows.

Critics at the time were fairly kind and the movie made a $400,000 profit (around $6.8 million in today’s dollars). The New York Times left a review up to a writer only identified by his initials, M.H., who basically recounted the plot and, while they liked Harlow, were a little snide about Harlow’s admirers in the audience at the screening at the Capitol:

“Life on a rubber plantation in French Indo-China receives attention in “Red Dust,” a pictorial adaptation of a play by Wilson Collison which is now at the Capitol. It is a far from pleasant spot, with its heat and sudden deluges of rain, its blinding sand storms and jungle beasts. Nevertheless, the atmosphere of this tale is more interesting than its story, especially the glimpses of the men at work.
“Dennis Carson, played by Clark Gable, who is in charge of the plantation, avers that so long as people in other countries want balloon tires and hot-water bottles such toil must go on. The natives are indolent, which causes Carson to use the lash on them, but no sooner have they settled down to labor than they are forced often to seek shelter from a sand storm.
To this uninviting area comes the immodest Vantine, a woman from Saigon. She at least makes existence more lively for Carson, who who is not precisely hospitable to her. There is trouble on all sides for Carson.

[There is a recounting of the Gable/Astor entanglement and Harlow’s involvement.]

“… Barbara and her husband eventually leave the plantation and Vantine takes up her abode in Carson’s comfortless shack.
“The dialogue is not especially bright or strong, but some of the lines spoken by Vantine, who is impersonated by Jean Harlow, aroused laughter from the audience. Miss Harlow’s presence in the picture apparently attracted a host of other platinum blondes, for on all sides there were in the seats girls with straw-colored hair. Miss Harlow’s performance suits the part. Mr. Gable is efficient in his rôle. Miss Astor offers a striking contrast to Miss Harlow. Tully Marshall makes the most of a minor rôle, as does Gene Raymond, who appears as Willis.”

M.H., The New York Times

I’d agree about most of the dialogue (see choice quotes below for yourself). But it’s a pretty spot-on review from the original screening.

Anyway, regardless of its content and the soap operas behind it, Red Dust is a worthwhile, entertaining history lesson and should be taken as a positive sign of just how we’ve come in almost 90 years. Or, you know, you could ignore such Pollyanna-ish constructs and, I don’t know, burn it.


Red Dust Lobby Card
Red Dust: Clark Gable and Mary Astor

Red Dust: Willie Fung, Gene Raymond, Jean Harlow

Best quotes:

Dennis Carson: Why’d you get off the boat at all? You know it doesn’t stop here again for four week, don’t you?
Vantine: Sure I do. Think I’m overjoyed about it? But, its just got to be, that’s all.
Dennis Carson: Well, then?
Vantine: I left the boat here for the same reason I took it at Saigon.
Dennis Carson: What reason?
Vantine: I got mixed up in a little trouble and I thought I’d stay out of town ’til the Gendarmes forgot about it.
Dennis Carson: And what a cast iron nerve you’ve got.
Vantine: You have to have in my line. But, don’t worry, big boy, I’ll stay out from under foot. I’ll even pay for my board if you insist on it nicely.

Red Dust

Dennis Carson: Come on, lets have it. Who are you? Where’d you come from?
Vantine: Don’t rush me, brother. I’m Pollyanna, the Glad Girl.

Ibid

Dennis Carson: Here you are kid.
[stuffs some bills in Vantine’s cleavage]
Dennis Carson: It isn’t half enough, but, when I get down to Saigon, there’ll be more. Keep your chin up.
[pats Vantine twice on her behind]

Ibid

[The bath scene]
Dennis Carson: [naked, Vantine jumps in a rain barrel] Get out of there! Say what’s the idea?
Vantine: What?
Dennis Carson: Getting in that barrel?
Vantine: Oh, I don’t know? Maybe I’m goin’ over Niagara Falls. Whoop!

Vantine: What’s the matter? Afraid I’ll – shock the duchess? Don’t you suppose she’s ever seen a French postcard?
Dennis Carson: You’ll let those curtains down if its the last bath you’ll ever take!

Vantine: Hey, where’s the reception committee? It’s been a nice little walk. Did you hear that hungry pussy cat back there?
Dennis Carson: Now, listen. This woman’s decent. You watch your language and stop running around here half naked.
Vantine: I’ll stay as comfortable as I like.

Red Dust

Vantine: [sarcastically] What a pleasant little house party this is gonna be.

Ibid

Vantine: [sarcastically] I thought we might run up a few curtains and make a batch of fudge while we were planning on what to wear to the country club dance Saturday night.

Ibid

Barbara Willis: That’s a… a very polished little speech for a… barbarian.

Ibid

Vantine: Don’t mind me boys, I’m just restless.

Ibid

Gary Willis: [eating dinner] Those coolies are tough to handle, aren’t they?
Dennis Carson: Didn’t I tell you they were a lazy bunch?
Gary Willis: Well, I mean, I didn’t know they were so sneaky about it. The minute you turn your back on ’em, they’re up to something or other they shouldn’t be doing.
[Dennis and Barbara look at each other]
Gary Willis: Are they always like that?
Dennis Carson: I’m afraid so.
McQuarg: I was telling him about that time that Malay tried to knife you in the back.
Vantine: Its a great country for that sort of thing.

Ibid

Barbara Willis: I won’t stand for this! Do you think you can treat Gary like – like one of your coolies?

Ibid

Barbara Willis: We shouldn’t have done that.
Dennis Carson: We did.

Ibid

Barbara Willis: Do you mind if I stay here with you?
Vantine: Think you can stand the company?

Ibid

Barbara Willis: It’s stupid of me to be so frightened.
Vantine: This storm isn’t the only thing that has you worried around here, is it? I saw him kick the door shut. He came out with rouge all over his mouth. I suppose he asked to use your lipstick?
[lights a cigarette]

Ibid

Barbara Willis: Oh, it’s too silly. What do I mean I’m scared? It was just one of those exciting little moment things.
Vantine: Well, watch out for the next moment, honey. It’s longer than the first.

Ibid

Barbara Willis: I don’t know how it happened. I didn’t do anything. He didn’t have any reason to believe that I’d…
Vantine: I didn’t hear any cries for help.
Barbara Willis: Oh, I don’t know what came over me. I should have stopped him. I tried, but…
Vantine: But you couldn’t. Even when you tried, could you?
Barbara Willis: No. That’s why I’m scared.

Ibid

Dennis Carson: All those lame cracks won’t help you any if I come back and find you’ve been annoying her.
Vantine: Oh, I wouldn’t touch her with your best pair of rubber gloves!

Ibid

Dennis Carson: What’s the matter with you? Are you crazy?
Vantine: Just a little nauseated. This rain seems to have uncovered a pile of garbage around here.
Dennis Carson: Stop looking through key holes. It’s bad for the eyes.

Ibid

Four Stars
Four Stars

Red Dust. 1932. TCM. English. Victor Fleming (d). John Lee Mahin, Wilson Collison, Donald Ogden Stewart (w). Jean Harlow, Clark Gable, Mary Astor, Gene Raymond, Donald Crisp, Tully Marshall, Forrester Harvey, Willie Fung. (p). Harold Rosson, Arthur Edeson (c).


American Civil War Casus Belli: African Negro Slavery.


A report on Battlefield.Org points out two things: Americans are inexplicable divided as to the causes of the Civil War, reflecting both historical ignorance as well as the continued delusions among the current crop of Lost Causers who continue to believe in and are invested fully in, the generational denial surrounding the Great Mass Treason which resulted in 1,000,000 American casualties.

Let’s be clear: The war was about slavery, from first to last. And after the guns stopped firing, the war continues in multiple ways that all-too-often includes violence and murder.

But let’s look at the « Battlefields.Org discussion of the Casus Belli », which starts with a piquant little survey from 2011:

“In 2011, at the outset of the sesquicentennial, a Pew Research Center poll found that Americans were significantly divided on the issue, with 48% saying the war was ‘mainly about states’ rights,’ 38% saying the war was ‘mainly about slavery,’ with the remainder answering ‘both equally’ or ‘neither/don’t know.'”

Battlefields.Org

Fascinating, if appalling that that many people either aren’t sure or are convinced that it was the santized “states’ rights,” rights which, after all, gave the states the “right” to keep and bear slaves.

Battlefields.Org then goes on to examine the four declarations from states (Georgia, Mississippi, South Carolina and Texas) which wanted all posterity to understand why they committed treason and nearly destroyed the country. Those declarations are fascinating reading and we’ll get to them below.

Civil War Casualties (Probably at Antietam, September 1862).

Battlefields.Org brokedown the content in the secession declarations thusly:

Georgia;
56% Slavery; 23% “Context”; 5:% Economic Issues; 4% States’ Rights; 2% Lincoln’s Election.

Texas:
54% Slavery; 21% “Context”; 15% States’ Rights; 6% Military Protection; 4% Lincoln’s Election.

Mississippi:
73% Slavery; 20% “Context”; 4% Lincoln’s Election; 3% States’ Rights.

South Carolina:
41% “Context”; 37% States’ Rights; 20% Slavery; 2% Lincoln’s Election.

[“‘Context’ refers to procedural language and/or historical exposition that is not connected to a specific argument,” says Battlefields.org.]

I would quibble with their interpretation of the declarations. Slavery is absolutely number one in every case. Everything else flows from it: They hated the north’s refusal to enforce the southern states’ rights to … own African negro slaves and the refusal to catch such property and return it to its owners. They hated the Republican/Anti-Slavery/Abolition party which had caused its leaders to control of the Federal government, where same leaders would make war on the southern states’ rights to … own African negro slaves. And as for “context,” it’s usually just a rehash of the history of the Revolution and their continued stubborn clinging to their idea of what being in the union meant; i.e., it meant they were free to leave at any time for any reason, but the reason was always going to be about slavery and the fed’s containment strategy of … African negro slavery.

Saying “Lincoln’s Election” was a “cause” is therefore also disingenous. He’s not mentioned by name. He’s just happens to be the leader the northern agitators and abolitionists had chosen to head up their program of destroying the south and …. its peculiar institution: African negro slavery.

So Battlefields.Org can parse it out this way and with a word cloud that says “States” is the most-used word, not slavery, but again, it’s disingenuous. The right that each southern state wanted to assert in all situations and around the country and the world was … African negro slavery. Period.

They went to war to preserve their right to own African negros as slaves in perpetuity. To Andrew Jackson’s heirs here in Donelson/Hermitage, they fully believed that African negros would continue to be slaves working cotton fields along the Stones River in 1860, 1890, 1950, and even 2019 and beyond.

Period.

It really is that simple. There are multiple “reasons,” but each reason is a reason because it directly relates to owning African negros as slaves.

And therefore, the 11 states separated themselves in an effort to preserve slavery; they committed treason, went to war and created a million American casualties and utterly failed, thank God, to preserve their peculiar institution. They have never ceased however, even after getting thoroughly kicked in the balls and sent running home to mommy, licking their wounds and keeping the freed African negroes down, to operate, with waxing and waning success and effort, to resurrect the same old arguments, rehashed and rehashed.

White supremacy and domestic terrorism is epidemic and a singular gift of the varied framers of “Articles of Secession” throughout the south all those years ago.

At any rate, here are the money quotes from the four articles of secession of the states of Georgia, Mississippi, South Carolina, Texas and Virginia. Georgia and South Carolina are particularly verbose and yawn-inducing. They are catalogues of grievances, great and petty. Virginia is short and sweet: The Brits tried to make us do some stuff and we left. Now the antislavery power is trying to force us to do some stuff, so we’re leaving again. But ultimately it all amounts to: “The Northern people are being mean to us and they’re going to make us give up our negroes .” Yeesh.

Casualties on the scene at Dunker Church, battlefield of Antietam. September 1862.

Georgia


“The people of Georgia having dissolved their political connection with the Government of the United States of America, present to their confederates and the world the causes which have led to the separation. For the last ten years we have had numerous and serious causes of complaint against our non-slave-holding confederate States with reference to the subject of African slavery. They have endeavored to weaken our security, to disturb our domestic peace and tranquility, and persistently refused to comply with their express constitutional obligations to us in reference to that property, and by the use of their power in the Federal Government have striven to deprive us of an equal enjoyment of the common Territories of the Republic.

“While the subordination and the political and social inequality of the African race was fully conceded by all, it was plainly apparent that slavery would soon disappear from what are now the non-slave-holding States of the original thirteen. The opposition to slavery was then, as now, general in those States and the Constitution was made with direct reference to that fact. But a distinct abolition party was not formed in the United States for more than half a century after the Government went into operation. The main reason was that the North, even if united, could not control both branches of the Legislature during any portion of that time.

“We had acquired a large territory by successful war with Mexico; Congress had to govern it; how, in relation to slavery, was the question then demanding solution. This state of facts gave form and shape to the anti-slavery sentiment throughout the North and the conflict began. Northern anti-slavery men of all parties asserted the right to exclude slavery from the territory by Congressional legislation and demanded the prompt and efficient exercise of this power to that end. This insulting and unconstitutional demand was met with great moderation and firmness by the South.

“They raised their standard in 1856 and were barely defeated. They entered the Presidential contest again in 1860 and succeeded.
“The prohibition of slavery in the Territories, hostility to it everywhere, the equality of the black and white races, disregard of all constitutional guarantees in its favor, were boldly proclaimed by its leaders and applauded by its followers.

“For twenty years past the abolitionists and their allies in the Northern States have been engaged in constant efforts to subvert our institutions and to excite insurrection and servile war among us. They have sent emissaries among us for the accomplishment of these purposes. Some of these efforts have received the public sanction of a majority of the leading men of the Republican party in the national councils, the same men who are now proposed as our rulers. These efforts have in one instance led to the actual invasion of one of the slave-holding States, and those of the murderers and incendiaries who escaped public justice by flight have found fraternal protection among our Northern confederates.

“Because by their declared principles and policy they have outlawed $3,000,000,000 of our property in the common territories of the Union; put it under the ban of the Republic in the States where it exists and out of the protection of Federal law everywhere; because they give sanctuary to thieves and incendiaries who assail it to the whole extent of their power, in spite of their most solemn obligations and covenants; because their avowed purpose is to subvert our society and subject us not only to the loss of our property but the destruction of ourselves, our wives, and our children, and the desolation of our homes, our altars, and our firesides. To avoid these evils we resume the powers which our fathers delegated to the Government of the United States, and henceforth will seek new safeguards for our liberty, equality, security, and tranquillity.”
Approved, Tuesday, January 29, 1861

Articles of Secession, State of Georgia

Mississippi



“A Declaration of the Immediate Causes which Induce and Justify the Secession of the State of Mississippi from the Federal Union.”
“In the momentous step which our State has taken of dissolving its connection with the government of which we so long formed a part, it is but just that we should declare the prominent reasons which have induced our course.
“Our position is thoroughly identified with the institution of slavery– the greatest material interest of the world. Its labor supplies the product which constitutes by far the largest and most important portions of commerce of the earth. These products are peculiar to the climate verging on the tropical regions, and by an imperious law of nature, none but the black race can bear exposure to the tropical sun. These products have become necessities of the world, and a blow at slavery is a blow at commerce and civilization. That blow has been long aimed at the institution, and was at the point of reaching its consummation. There was no choice left us but submission to the mandates of abolition, or a dissolution of the Union, whose principles had been subverted to work out our ruin.
“It has grown until it denies the right of property in slaves, and refuses protection to that right on the high seas, in the Territories, and wherever the government of the United States had jurisdiction.

“It refuses the admission of new slave States into the Union, and seeks to extinguish it by confining it within its present limits, denying the power of expansion.
“It tramples the original equality of the South under foot.
“It has nullified the Fugitive Slave Law in almost every free State in the Union, and has utterly broken the compact which our fathers pledged their faith to maintain.
“It advocates negro equality, socially and politically, and promotes insurrection and incendiarism in our midst.
“It has enlisted its press, its pulpit and its schools against us, until the whole popular mind of the North is excited and inflamed with prejudice.
“It has made combinations and formed associations to carry out its schemes of emancipation in the States and wherever else slavery exists.
“It seeks not to elevate or to support the slave, but to destroy his present condition without providing a better.
“It has invaded a State, and invested with the honors of martyrdom the wretch whose purpose was to apply flames to our dwellings, and the weapons of destruction to our lives.
“It has broken every compact into which it has entered for our security.
“It has given indubitable evidence of its design to ruin our agriculture, to prostrate our industrial pursuits and to destroy our social system.
“It knows no relenting or hesitation in its purposes; it stops not in its march of aggression, and leaves us no room to hope for cessation or for pause.
“It has recently obtained control of the Government, by the prosecution of its unhallowed schemes, and destroyed the last expectation of living together in friendship and brotherhood.
“Utter subjugation awaits us in the Union, if we should consent longer to remain in it. It is not a matter of choice, but of necessity. We must either submit to degradation, and to the loss of property worth four billions of money, or we must secede from the Union framed by our fathers, to secure this as well as every other species of property. For far less cause than this, our fathers separated from the Crown of England.”

Articles of Secession, State of Mississippi

South Carolina


“The Constitution of the United States, in its fourth Article, provides as follows: “No person held to service or labor in one State, under the laws thereof, escaping into another, shall, in consequence of any law or regulation therein, be discharged from such service or labor, but shall be delivered up, on claim of the party to whom such service or labor may be due.”
“This stipulation was so material to the compact, that without it that compact would not have been made. The greater number of the contracting parties held slaves, and they had previously evinced their estimate of the value of such a stipulation by making it a condition in the Ordinance for the government of the territory ceded by Virginia, which now composes the States north of the Ohio River.
“The same article of the Constitution stipulates also for rendition by the several States of fugitives from justice from the other States.
“The General Government, as the common agent, passed laws to carry into effect these stipulations of the States. For many years these laws were executed. But an increasing hostility on the part of the non-slaveholding States to the institution of slavery, has led to a disregard of their obligations, and the laws of the General Government have ceased to effect the objects of the Constitution. The States of Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island, New York, Pennsylvania, Illinois, Indiana, Michigan, Wisconsin and Iowa, have enacted laws which either nullify the Acts of Congress or render useless any attempt to execute them. In many of these States the fugitive is discharged from service or labor claimed, and in none of them has the State Government complied with the stipulation made in the Constitution. The State of New Jersey, at an early day, passed a law in conformity with her constitutional obligation; but the current of anti-slavery feeling has led her more recently to enact laws which render inoperative the remedies provided by her own law and by the laws of Congress. In the State of New York even the right of transit for a slave has been denied by her tribunals; and the States of Ohio and Iowa have refused to surrender to justice fugitives charged with murder, and with inciting servile insurrection in the State of Virginia. Thus the constituted compact has been deliberately broken and disregarded by the non-slaveholding States, and the consequence follows that South Carolina is released from her obligation.
“The General Government, as the common agent, passed laws to carry into effect these stipulations of the States. For many years these laws were executed. But an increasing hostility on the part of the non-slaveholding States to the institution of slavery, has led to a disregard of their obligations, and the laws of the General Government have ceased to effect the objects of the Constitution. The States of Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island, New York, Pennsylvania, Illinois, Indiana, Michigan, Wisconsin and Iowa, have enacted laws which either nullify the Acts of Congress or render useless any attempt to execute them. In many of these States the fugitive is discharged from service or labor claimed, and in none of them has the State Government complied with the stipulation made in the Constitution. The State of New Jersey, at an early day, passed a law in conformity with her constitutional obligation; but the current of anti-slavery feeling has led her more recently to enact laws which render inoperative the remedies provided by her own law and by the laws of Congress. In the State of New York even the right of transit for a slave has been denied by her tribunals; and the States of Ohio and Iowa have refused to surrender to justice fugitives charged with murder, and with inciting servile insurrection in the State of Virginia. Thus the constituted compact has been deliberately broken and disregarded by the non-slaveholding States, and the consequence follows that South Carolina is released from her obligation.

“On the 4th day of March next, this party will take possession of the Government. It has announced that the South shall be excluded from the common territory, that the judicial tribunals shall be made sectional, and that a war must be waged against slavery until it shall cease throughout the United States.
“The guaranties of the Constitution will then no longer exist; the equal rights of the States will be lost. The slaveholding States will no longer have the power of self-government, or self-protection, and the Federal Government will have become their enemy.
“Sectional interest and animosity will deepen the irritation, and all hope of remedy is rendered vain, by the fact that public opinion at the North has invested a great political error with the sanction of more erroneous religious belief.”
Adopted December 20, 1860

Article of Secession, South Carolina
Civil War casualties (Petersburg?)

Texas


“Texas abandoned her separate national existence and consented to become one of the Confederated Union to promote her welfare, insure domestic tranquility and secure more substantially the blessings of peace and liberty to her people. She was received into the confederacy with her own constitution, under the guarantee of the federal constitution and the compact of annexation, that she should enjoy these blessings. She was received as a commonwealth holding, maintaining and protecting the institution known as negro slavery– the servitude of the African to the white race within her limits– a relation that had existed from the first settlement of her wilderness by the white race, and which her people intended should exist in all future time. Her institutions and geographical position established the strongest ties between her and other slave-holding States of the confederacy. Those ties have been strengthened by association. But what has been the course of the government of the United States, and of the people and authorities of the non-slave-holding States, since our connection with them?
“The controlling majority of the Federal Government, under various pretences and disguises, has so administered the same as to exclude the citizens of the Southern States, unless under odious and unconstitutional restrictions, from all the immense territory owned in common by all the States on the Pacific Ocean, for the avowed purpose of acquiring sufficient power in the common government to use it as a means of destroying the institutions of Texas and her sister slaveholding States.
“By the disloyalty of the Northern States and their citizens and the imbecility of the Federal Government, infamous combinations of incendiaries and outlaws have been permitted in those States and the common territory of Kansas to trample upon the federal laws, to war upon the lives and property of Southern citizens in that territory, and finally, by violence and mob law, to usurp the possession of the same as exclusively the property of the Northern States.
“The Federal Government, while but partially under the control of these our unnatural and sectional enemies, has for years almost entirely failed to protect the lives and property of the people of Texas against the Indian savages on our border, and more recently against the murderous forays of banditti from the neighboring territory of Mexico; and when our State government has expended large amounts for such purpose, the Federal Government has refuse reimbursement therefor, thus rendering our condition more insecure and harassing than it was during the existence of the Republic of Texas.

“The States of Maine, Vermont, New Hampshire, Connecticut, Rhode Island, Massachusetts, New York, Pennsylvania, Ohio, Wisconsin, Michigan and Iowa, by solemn legislative enactments, have deliberately, directly or indirectly violated the 3rd clause of the 2nd section of the 4th article [the fugitive slave clause] of the federal constitution, and laws passed in pursuance thereof; thereby annulling a material provision of the compact, designed by its framers to perpetuate the amity between the members of the confederacy and to secure the rights of the slave-holding States in their domestic institutions– a provision founded in justice and wisdom, and without the enforcement of which the compact fails to accomplish the object of its creation. Some of those States have imposed high fines and degrading penalties upon any of their citizens or officers who may carry out in good faith that provision of the compact, or the federal laws enacted in accordance therewith.

“In all the non-slave-holding States, in violation of that good faith and comity which should exist between entirely distinct nations, the people have formed themselves into a great sectional party, now strong enough in numbers to control the affairs of each of those States, based upon an unnatural feeling of hostility to these Southern States and their beneficent and patriarchal system of African slavery, proclaiming the debasing doctrine of equality of all men, irrespective of race or color– a doctrine at war with nature, in opposition to the experience of mankind, and in violation of the plainest revelations of Divine Law. They demand the abolition of negro slavery throughout the confederacy, the recognition of political equality between the white and negro races, and avow their determination to press on their crusade against us, so long as a negro slave remains in these States.
“For years past this abolition organization has been actively sowing the seeds of discord through the Union, and has rendered the federal congress the arena for spreading firebrands and hatred between the slave-holding and non-slave-holding States.
“They have for years past encouraged and sustained lawless organizations to steal our slaves and prevent their recapture, and have repeatedly murdered Southern citizens while lawfully seeking their rendition.
“They have invaded Southern soil and murdered unoffending citizens, and through the press their leading men and a fanatical pulpit have bestowed praise upon the actors and assassins in these crimes, while the governors of several of their States have refused to deliver parties implicated and indicted for participation in such offenses, upon the legal demands of the States aggrieved.
“They have, through the mails and hired emissaries, sent seditious pamphlets and papers among us to stir up servile insurrection and bring blood and carnage to our firesides.
“They have sent hired emissaries among us to burn our towns and distribute arms and poison to our slaves for the same purpose.
“They have impoverished the slave-holding States by unequal and partial legislation, thereby enriching themselves by draining our substance.
“They have refused to vote appropriations for protecting Texas against ruthless savages, for the sole reason that she is a slave-holding State.
“And, finally, by the combined sectional vote of the seventeen non-slave-holding States, they have elected as president and vice-president of the whole confederacy two men whose chief claims to such high positions are their approval of these long continued wrongs, and their pledges to continue them to the final consummation of these schemes for the ruin of the slave-holding States.
:We hold as undeniable truths that the governments of the various States, and of the confederacy itself, were established exclusively by the white race, for themselves and their posterity; that the African race had no agency in their establishment; that they were rightfully held and regarded as an inferior and dependent race, and in that condition only could their existence in this country be rendered beneficial or tolerable.
“That in this free government all white men are and of right ought to be entitled to equal civil and political rights [emphasis in the original]; that the servitude of the African race, as existing in these States, is mutually beneficial to both bond and free, and is abundantly authorized and justified by the experience of mankind, and the revealed will of the Almighty Creator, as recognized by all Christian nations; while the destruction of the existing relations between the two races, as advocated by our sectional enemies, would bring inevitable calamities upon both and desolation upon the fifteen slave-holding states.
“By the secession of six of the slave-holding States, and the certainty that others will speedily do likewise, Texas has no alternative but to remain in an isolated connection with the North, or unite her destinies with the South.

“For these and other reasons, solemnly asserting that the federal constitution has been violated and virtually abrogated by the several States named, seeing that the federal government is now passing under the control of our enemies to be diverted from the exalted objects of its creation to those of oppression and wrong, and realizing that our own State can no longer look for protection, but to God and her own sons– We the delegates of the people of Texas, in Convention assembled, have passed an ordinance dissolving all political connection with the government of the United States of America and the people thereof and confidently appeal to the intelligence and patriotism of the freemen of Texas to ratify the same at the ballot box, on the 23rd day of the present month.
“Adopted in Convention on the 2nd day of Feby, in the year of our Lord one thousand eight hundred and sixty-one and of the independence of Texas the twenty-fifth.”

Articles of Secession, State of Texas

Virginia


“The people of Virginia, in their ratification of the Constitution of the United States of America, adopted by them in Convention on the twenty-fifth day of June, in the year of our Lord one thousand seven hundred and eighty-eight, having declared that the powers granted under the said Constitution were derived from the people of the United States, and might be resumed whensoever the same should be perverted to their injury and oppression; and the Federal Government, having perverted said powers, not only to the injury of the people of Virginia, but to the oppression of the Southern Slaveholding States.
“Now, therefore, we, the people of Virginia, do declare and ordain that the ordinance adopted by the people of this State in Convention, on the twenty-fifth day of June, eighty-eight, whereby the Constitution of the United States of America was ratified, and all acts of the General Assembly of this State, ratifying or adopting amendments to said Constitution, are hereby repealed and abrogated; that the Union between the State of Virginia and the other States under the Constitution aforesaid, is hereby dissolved, and that the State of Virginia is in the full possession and exercise of all the rights of sovereignty which belong and appertain to a free and independent State. And they do further declare that the said Constitution of the United States of America is no longer binding on any of the citizens of this State.
“This ordinance shall take effect and be an act of this day when ratified by a majority of the votes of the people of this State, cast at a poll to be taken thereon on the fourth Thursday in May next, in pursuance of a schedule to be hereafter enacted.
“Done in Convention, in the city of Richmond, on the 17th day of April, in the year of our Lord one thousand eight hundred and sixty-one, and in the eighty-fifth year of the Commonwealth of Virginia.”

Articles of Secession, Commonwealth of Virginia

It’s all quite fascinating, eh? Basically, they’re “<Whine, whine, whine> You’re going to take our slaves, get ’em hopped up, and let ’em rape our women and murder us in our beds, when everyone in the whole world knows that God himself created the African negro to serve the white man. I mean, they get free housing and medical care and food! Anyway, we’re gonna commit treason now and try to destroy the entire country in order to protect our natural racial superiority, which gives us the Christian right to own African negros as property.”

The Civil War’s casus belli is not difficult to figure out. The secesh told us repeatedly why they attempted to do what they did: the ownership of their fellow human beings based on skin color. Perfectly simple.


Dead Rebel soldier somewhere on the battlefield (Petersburg?).

Movie Night: Born Yesterday


Four.5.Stars

From 1950, it’s the wonderful Judy Holliday, Broderick Crawford, William Holden gem, Born Yesterday. (No, not that 1993 crapfest of the same name … how dare they try to “improve” on Judy and Broderick with —gasp— Melanie Griffith, John Goodman, and Don Johnson!)

The « synopsis » of the original, best Born Yesterday, is, per The Movie Database (TMDb):

“Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn.”

TMDb

IMDb has a « a shorter and poorer way of putting it »:

“A tycoon hires a tutor to teach his lover proper etiquette, with unexpected results.”

IMDb

Born Yesterday is pretty fabulous and much, much more that those paltry synopses reveal. Or it is at least until it sinks in to today’s audience that it’s just as fresh and applicable today (especially today!) as it was in 1950. In that year, the movie warned against the unAmerican activiteis of the U.S. House Un-American Activities Committee, which ultimately wrecked many lives, but failed, while today it pointedly shows that Broderick Crawford’s Harry Brock is in charge of the country, the Senate, and the judiciary and is sitting in the White House rage-tweeting.

In fact, the current ugly age of our country is the alternate ending to Born Yesterday with Judy Holliday silenced, threatened with death and manblamed and William Holden dead or emasculated while Harry Brock gleefully and dementedly flies around destroying the country.

Just as an aside: How much influence did the flying circus that was HUAC have over the 50s? Here’s some tidbits from the era, because what was going on with HUAC deserves some attention:

“TEACHER FIRED
“San Mateo, Nov. 17—Thomas D. Hardwick, Burlingame high school journalism teacher, has been fired from his job for refusing to sign the state’s new loyalty oath.”

San Mateo Times, Nov. 17, 1950

And still this stuff was going on 7 years later. This time, the human toll of stamping out ghostly “un-American activities” is more fully highlighted, especially the ordeal of teacher Hardwick, who had to become a factory worker to survive:

“SAN FRANCISCO UPI – Cameras continued to focus today on the House un-American activities committee hearing despite House Speaker Sam Rayburn’s flat announcement in Washington there would be no more television broadcasts. Chairman Francis Walter (D.-Penn.) of the subcommittee shrugged his shoulders and threw up his hands when asked about Rayburn’s announcement. And the TV cameras continued to grind away.

San Mateo Times

“SAN FRANCISCO UPI – Congressmen turned from teachers to other professions today in an un-American activities inquiry already marked by the suicide of a subpoenaed Stanford Scientist and suspension of a radio broadcaster from his job for refusing to testify. A Richmond factory worker who taught in Burlingame High school seven years ago was a reluctant witness yesterday before the House sub-committee on Un-American activities.
“But he had a quick reply when asked about the testimony of another witness that he had been a Communist. Thomas Hardwick, 49, declined to answer when asked if he was aware from 1946 up to the present day of a secret Communist group in San Francisco and elsewhere known as the “Professional Cell.” Hardwick said he believed the question was “in an area where Congress is forbidden to legislate” under the First (free press and speech) and the Fifth (self-incrimination) amendments.
“Hardwick was dismissed m 1950 from the Burlingame High school faculty for refusing to sign a loyalty oath.
“Yesterday’s reluctant witnesses included a San Francisco radio broadcaster, Louis Hartman, 42, also known as Jim Grady, and a television and radio engineer. Hartman, a free lance man on radio station KCBS, refused to answer when asked whether there was a Communist Party professional cell active at Berkeley.

San Mateo Times | Thursday, June 20, 1957

But I digress (but only a little bit): New York Times reviewer Bosley Crowther « loved Judy Holliday and the movie, and used Broderick Crawford’s performance to sound a warning that is incredibly prescient about our current political predicament »:

“Just in time to make itself evident as one of the best pictures of this fading year is Columbia’s trenchant screen version of the stage play, “Born Yesterday.” More firm in its social implications than ever it was on the stage and blessed with a priceless performance by rocketing Judy Holliday, this beautifully integrated compound of character study and farce made a resounding entry at the Victoria yesterday.

“On the strength of this one appearance, there is no doubt that Miss Holliday will leap into popularity as a leading American movie star—a spot to which she was predestined by her previous minor triumph in “Adam’s Rib” as the tender young lady from Brooklyn who shot her husband (and stole the show). For there isn’t the slightest question that Miss Holiday brings to the screen a talent for characterization that is as sweetly refreshing as it is rare.

“Playing the wondrous ignoramus that she created on the stage—the lady to whom her crude companion rather lightly refers as a “dumb broad” this marvelously clever young actress so richly conveys the attitudes and the vocal intonations of a native of the sidewalks of New York that it is art. More than that, she illuminates so brightly the elemental wit and honesty of her blankly unlettered young lady that she puts pathos and respect into the role.

“But it must be said in the next breath that Miss Holliday doesn’t steal this show—at least, not without a major tussle—for there is a lot of show here to steal. Not only has the original stage play of Garson Kanin been preserved by Screenwriter Albert Mannheimer in all of its flavorsome detail—and that, we might add, is a triumph of candor and real adapting skill—but George Cukor has directed with regard for both the humor and the moral. And Broderick Crawford has contributed a performance as the merchant of junk who would build himself up as a tycoon that fairly makes the hair stand on end.

“Where this role was given some humor and even sympathy on the stage, in the memorable performance of Paul Douglas, Mr. Crawford endows it with such sting—such evident evil, corruption, cruelty and arrogance—that there is nothing amusing or appealing about this willful, brutish man. He is, indeed, a formidable symbol of the menace of acquisitive power and greed against which democratic peoples must always be alert. And that’s why his thorough comeuppance, contrived by his newly enlightened “broad” amid the monuments of serene and beautiful Washington, is so winning and wonderful. In short, a more serious connotation has been given the role on the screen and Mr. Crawford plays it in a brilliantly cold and forceful style.”

The New York Times

“He is, indeed, a formidable symbol of the menace of acquisitive power and greed against which democratic peoples must always be alert.” A perfect description of Born Yesterday‘s villain … and Donald Trump both.

At any rate, I highly recommend this one. I took off half a star for the flag-waving, O Beautiful, misty-eyed crap here and there; but it actually doesn’t detract much, it just points out how much we’ve lost.

The Associated Press review « isn’t much of a review, but notes the movie’s success »::

“Born Yesterday,” another Academy entry, was previewed before the usual starstudded audience this week. It is a faithful adaptation of the Garson Kanin play about the junk dealer’s babe who gets educated by a newspaperman. The story should be familiar to a large segment of the public by now and it is enhanced by some scenes of Washington landmarks. The show comes off as one of the best comedies in recent seasons. This is largely due to a sparkling portrayal of Judy Holliday as the dumb blonde. She is wonderfully funny. Only drawback is that her lines are sometimes inaudible. Broderick Crawford plays the junk man with full voice all the way and William Holden is a quietly competent view of the newspaperman.”

Bob Thomas, the Associated Press

Born Yesterday Lobby Card
Another Lobby Card

Judy Holliday, Broderick Crawford and William Holden … stickin’ it to the Man.

Best quotes:

Paul: A world full of ignorant people is too dangerous to live in.

Born Yesterday

Billie Dawn: He always used to say, “Never do nothing you wouldn’t want printed on the front page of The New York Times.”

Ibid

Harry Brock: What’s a peninsula?
Billie Dawn: Shhhh.
Harry Brock: Don’t gimme that “shush.” You think you’re so smart, huh – what’s a peninsula?
Paul Verrall: It’s a…
Harry Brock: Not you, her.
Billie Dawn: It’s that new medicine…

Ibid

Billie: Because when ya steal from the government, you’re stealing from yourself, ya dumb ox.

Ibid

Congressman Norval Hedges: I said to Sam only last week this country will soon to have to decide if the people are going to run the government, or the government is going to run the people.

Ibid

Harry Brock: WHAT’S GOIN’ ON AROUND HERE?
Jim Devery: A revolution.

Ibid

Harry Brock: How d’ya like that! He could’ve had a hundred grand. She could’ve had me. Both wind up with nothin’… Dumb chump!… Crazy broad!
Jim Devery: [raises a glass as a toast] To all the dumb chumps and all the crazy broads, past, present, and future, who thirst for knowledge and search for truth… who fight for justice and civilize each other… and make it so tough for crooks like you…
[Harry stares at him angrily]
Jim Devery: …and me.

Ibid

Harry Brock: Shut up! You ain’t gonna be tellin’ nobody nothin’ pretty soon!
Billie Dawn: DOUBLE NEGATIVE! Right?
Paul Verrall: Right.

Ibid

Billie: Would you do me a favor, Harry?
Harry Brock: What?
Billie: Drop dead!

Ibid

Four.5.Stars

Born Yesterday. 1950. TCM. English. George Cukor (d). Garson Kanin, Albert Mannheimer (w). Judy Holliday, Broderick Crawford, William Holden, Howard St. John, Frank Otto, Larry Oliver, Barbara Brown, Grandon Rhodes, Claire Carleton. (p). Friedrich Hollaender (m). Joseph Walker (c).


Donelson Renovates

I don’t write much about Donelson, our little slice of Music City. But here’s a couple of recent exceptions, one sort of optimistic and nice, the other more caustic and negative.


For a bedroom community which has never really had much of an identity, Donelson is currently attempting to remake itself with at least a bit of one.

The Donelson station developments aim to create the 21st century version of the old downtown, which didn’t ever exist here. This new downtown will still be basically a strip mall of businesses, just with a spiffy, fresh new design.

Donelson is like most of the houses in its borders: Buildings from the 1950s whose owners are dying out, so the children and grandchildren are taking over and either selling them or freshening them up. Hopefully, it will result in a more pleasant place to live and breathe in, although there will always be two negatives: Lebanon Pike and its sprawling ugliness and the overhead landing pattern which puts planes low and loud over us as they swing into runways 20 Left and Right.

No one will probably ever be talking or protesting or doing anything about the overhead noise, but at least some folks are doing something about ugliness. We hope there are more positives to come, especially along Lebanon. Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it. Beefing up the Music City Star would help immensely, but that’s also problematic at best.Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it.No one will probably ever be talking or protesting or doing anything about the overhead noise, but at least some folks are doing something about ugliness. We hope there are more positives to come, especially along Lebanon. Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it. Beefing up the Music City Star would help immensely, but that’s also problematic at best.

For the foreseeable future, then, we’ll take some cosmetic change and hope the community’s groups and businesses continue to try to improve the community’s image, at least. Whatever happens will surely be an improvement.


On the other hand, a different hot take: Development around the Donelson Music City Star train station is proceeding apace; two projects are underway to transform the seen-better-days corner of Lebanon and Donelson pikes. The first is Donelson Plaza, to the north of the station; the 1961 building is getting a complete face lift, with the eastern half is being completely rebuilt from scratch to serve as the new Donelson Branch of the Nashville Public Library.

The Plaza will feature the library as well as shops, restaurants and apartments, with the idea being that you can live at the Plaza and walk/bike to the buses/trains at the station and never need a car. No word on whether WeGo will be able to boost bus and train service to the center, or if we’ll see the more probable nightmare scenario of being constantly in ever greater amounts of traffic.

(Side note: Frequently, drivers exiting the station in the evenings are desperate to avoid Lebanon Pike and its intersection with Donelson Pike. So, they use a short, rather asininely-designed (is that a word?) road that heads east out of the parking lot behind Fifty Forward, ending on Donelson and completely avoiding two stoplights and lengthy waits. Only problem: That connector is supposed to be one-way, westbound only. Never mind it’s wide enough for two cars and that someone is just being, well, asinine over it, a police car was sitting there are on the evening commute on a Friday night, just determined to up the asshole quotient and send commuters to add to the chaos and traffic on Lebanon which is stacked up all the way back to downtown. Brilliant, no?

Many cities would just make it a one-way west into the parking lot in the morning, and one-way east out of the parking lot in the evening, but that would be too simple and oh-fend someone. No word on how much a ticket for such common sensical motor vehicle “violations” will set you back, but it’s probably attractive for the city.)

But back to the main event: The 1961 Donelson Plaza was purchased by Holladay Partners, which is developing the 12 acres as a new urban town center—the downtown Donelson never had, and which has been completely abandoned by towns and cities around the country, but we digress. They hope the redo will result in green space, restaurants, retail shops and apartments. Also not mentioned: How much per month will a one-bedroom unit set you back and what will happen to the center’s funky and clunky thrift stores, the bartending school, the bowling alley, etc.? Well, a partner in the developer’s office is on record thusly: “We do have existing tenants leasing and, of course, we will honor these. As people move out and it gets turned over, this will determine our next phase.”

In other words, we’ll let ‘em stay, but we’ll kick ‘em out and jack up the rents and put something high dollar in there as soon as possible so the “wrong” kind of Hippy Donelsonite won’t be shopping there. We must wonder if the plaza will feature the “architectural asshole” designs popping up everywhere: “public” seating that is intentionally so uncomfortable or designed in such a way as to prevent what the British call “rough sleepers,” and we call “homeless,” among other things. Ah well, time will tell.

The developer itself will anchor 14,000 square feet of office space on two levels. What is being displaced for that is another aspect which goes unmentioned.

Meanwhile, diagonally across the intersection and across the tracks menacing the bowling alley is a hulking mass of apartment buildings going up to four stories and packed into a tiny space along the tracks. One wonders how much a one-bedroom in that complex will cost and whether there is any additional sound proofing and plaster and ceiling protection for all the Music City Star trains which rumble through blasting their horns for the Donelson Pike crossing from as early as 7:15 a.m.

No matter, there will be some green space and a pool and you can walk to the train station (if you can summon the courage to cross both Donelson Pike and the railroad tracks. We’ve watched on more than one occasion as some idiot’s sense of self-importance prompted him to weave between the crossing arms with the train’s arrival imminent, speeding on his merry way. If walkers and bikers are now to be added to the mix, well, could get interesting.

The one exit onto Donelson is sure to be a joy as things are brought to a halt by southbound apartment dwellers trying to turn left into the driveway cause backups at 5 p.m. across the tracks and back up to Lebanon. Personally, I wouldn’t risk life and limb to live there, stacked four high in boxes with balconies that feature the fantastic combined noise of KBNA 20L airliner arrivals overhead, Music City Star trains blowing whistles below, and the screaming tires and honking of motorists trapped on the tracks while my neighbors try to make it into their new boxes. It’s not an attractive prospect for me, but what do I know? I’m sure it will all be just fine and dandy when these projects get built out just in time for the next big recessional flop in 2020.

Progress is great and all. But progress via developer is often thoughtless and crude. As far as we can tell, developers won’t be paying for better traffic control near either project and nothing will change in anticipation of the much greater numbers of cars along an already over-stretched section of Lebanon and Donelson pikes. Perhaps all will be well. We’re not going to hold our breath here.

The Indictment

Walter Shaub (@waltshaub) is an attorney and the former director (9-Jan-13 to 19-Jul-17) of the U.S. Office Government Ethics, which exists to “Provid[e] leadership in the executive branch to prevent conflicts of interest.” That’s a mission which, since January 2017, is going completely unfulfilled and, in fact, is being subverted beyond all belief.

After leaving the USOGE in the summer of 2017, Shaub “joined the Washington D.C.-based election law organization the Campaign Legal Center (CLC) as Senior Director, Ethics. At CLC he has focused on protecting what he calls the erosion of democratic norms that the country has witnessed in his time,” according to Wikipedia. The last six months of his tenure at USOGE were also the first six months of the Godfather’s tenure and therefore was when he witnessed the complete takeover of the democracy and its renovation into a kleptocracy headed by a old, narcissistic, lunatic, mob boss. So he’s seen some things and knows whereof he speaks.

Shaub wrote today a concise listing of the multiple points of illegality, theft, unConstitutionality, incompetence, petulance, and general assholery committed by this mobster and his cronies, supported fully and without reservation by the God and Guns evangelical crowd, of which I’m proud to say I’m an EX member, who was in that cultish atmosphere from birth, not by choice and left as soon as I gracefully could. But I digress.

Here’s « Shaub’s full indictment » and it includes the Republican party, especially those in the Senate:

“Senate Republicans are setting a dangerous precedent that threatens the republic itself. I’m not naive enough to think they would hold Democratic presidents to the low standard they’ve applied to Trump, but all future presidents will be able to point to Trump to justify:

“a. Soliciting foreign attacks on our elections;
b. Using federal appropriations or other resources to pressure foreign governments to help them win reelection;
c. Implementing an across-the-board refusal to comply with any congressional oversight at all;
d. Firing the heads of the government’s top law enforcement agencies for allowing investigations of the president;
e. Retaliating against whistleblowers and witnesses who testify before Congress;
f. Investigating investigators who investigate the president;
g. Attempting to retaliate against American companies perceived as insufficiently supportive of the president;
h. Attempting to award the president’s own company federal contracts;
i. Using personal devices, servers or applications for official communications;
j. Communicating secretly with foreign leaders, with foreign governments knowing things about White House communications that our own government doesn’t know;
k. Abandoning steadfast allies abruptly without prior warning to Congress to cede territory to Russian influence;
l. Destroying or concealing records containing politically damaging information;
m. Employing white nationalists and expressing empathy for white nationalists after an armed rally in which one of them murdered a counter protester and another shot a gun into a crowd;
n. Disseminating Russian disinformation;
o. Covering for the murder of a journalist working for an American news outlet by a foreign government that is a major customer of the president’s private business;
p. Violating human rights and international law at our border;
q. Operating a supposed charity that was forced to shut down over its unlawful activities;
r. Lying incessantly to the American people;
s. Relentlessly attacking the free press;
t. Spending 1/4 of days in office visiting his own golf courses and 1/3 of them visiting his private businesses;
u. Violating the Emoluments Clauses of the U.S. Constitution;
w. Misusing the security clearance process to benefit his children and target perceived enemies;
x. Drawing down on government efforts to combat domestic terrorism in order to appease a segment of his base;
y. Refusing to aggressively investigate and build defenses against interference in our election by Russia, after the country helped him win an election;
z. Engaging in a documented campaign of obstruction of a Special Counsel’s investigation.
aa. Lying about a hush money payoff and omitting his debt to his attorney for that payoff from his financial disclosure report (which is a crime if done knowingly and willfully);
bb. Coordinating with his attorney in connection with activities that got the attorney convicted of criminal campaign finance violations;
cc. Interfering in career personnel actions, which are required by law to be conducted free of political influence;
dd. Refusing to fire a repeat Hatch Act offender after receiving a recommendation of termination from the president’s own Senate-confirmed appointee based on dozens of violations;
ee. Calling members of Congress names and accusing them of treason for conducting oversight;
ff. Attacking states and private citizens frequently and in terms that demean the presidency (see Johnson impeachment);
gg. Using the presidency to tout his private businesses and effectively encouraging a party, candidates, businesses and others to patronize his business;
hh. Causing the federal government to spend hundreds of thousands of dollars at his businesses and costing the American taxpayers well over $100 million on boondoggle trips to visit his properties;
ii. Hosting foreign leaders at his private businesses;
jj. Calling on the Justice Department to investigate political rivals;
kk. Using the presidency to endorse private businesses and the books of various authors as a reward for supporting the president;
ll. Engaging in nepotism based on a flawed OLC opinion;
mm. Possible misuse of appropriated funds by reallocating them in ways that may be illegal;
nn. Repeatedly criticizing American allies, supporting authoritarian leaders around the world, and undermining NATO; and
oo. etc.
“None of the Republican Senators defending Trump could say with a straight face that they would tolerate a Democratic president doing the same thing. But, given this dangerous precedent, they may have no choice if they ever lose control of the Senate. Is that what they want?
“And this is only what Trump did while the remote threat of Congressional oversight existed. If the Senate acquits him, he will know for certain there is nothing that could ever lead to Congress removing him from office. And what he does next will similarly set precedents.
At this point, I would remind these unpatriotic Senators of the line “you have a republic if you can keep it,” but a variation on this line may soon be more apt when Trump redoubles his attack on our election: You have a republic, if you can call this a republic.”

Walter Shaub via Twitter

We cannot indeed call this a republic; it is a shambolic kleptocratic theocracy. And our last one, remote chance of restoration will come next November. If we’re not out there with the numbers just posted today in Hong Kong’s election (72% or so), then our democratic republic will fall and, given what is likely to be a similarly shambolic kleptocracy in Great Britain, democracy, decency and the rule of law will be largely at an end on the planet, ending the final, very slim chance we have of mitigating accelerating climate catastrophe.

A “cancer on the presidency” has metastasized “hugely.”

« Read the rest of his tweets ». Fascinating.

What We Hath Wrought

The Beeb is reporting that « Turkey and its allies are (“allegedly”) committing war crimes, especially against Kurdish women » in Syria:

“Turkish-backed forces fighting Kurdish militias in north-east Syria have been accused of committing war crimes, with acts of brutality surfacing on mobile phone footage.

“The UN has warned that Turkey could be held responsible for the actions of its allies, while Turkey has promised to investigate.

“Bearded men shout ‘Allahu Akbar [God is the Greatest]’. One captures the scene on his smartphone and says: ‘We are mujahedeen [holy warriors] from Faylaq Al-Majd [Glory Corps] battalion.’ In the background are the corpses of Kurdish fighters.

“Further away, a group of men plant their feet on a woman’s bloodied body. One says she is a ‘whore’.

‘The gruesome footage is much like that produced by the ultra-violent Islamic State (IS) group.

“Yet the men in this video are not IS militants, but rather fighters for a rebel alliance known as the Syrian National Army, trained, equipped and paid for by a Nato member, Turkey. They are under the command of the Turkish army.

‘The video was filmed on 21 October in northern Syria. The woman beneath the fighters’ feet is Amara Renas, a member of an all-woman unit of Kurdish fighters, the YPJ, a force that played a significant role in defeating IS in Syria.

BBC

Notice how the BBC calls the video “brutal” and “gruesome,” words which are not in quotes or alleged. The video is not allegedly brutal and gruesome, it IS brutal and gruesome, says the BBC. Yet they get nervous about calling Turkish jihadist allies war criminals, even though the crimes are very much graphically shown in the brutal, gruesome video.

More importantly than all this, these war crimes are being committed against Kurdish women fighters specifically, and against our Kurdish allies generally. After the mobster-in-chief in the White House unleashed all this.

Not only should he and his administration be impeached and removed for high crimes and misdemeanors, he should also be held personally responsible for these war crimes. Impeachment is certain, but removal is unlikely, and seeing him tried for war crimes is a fantasy.

After all, the last time we had a chief executive who unleashed war crimes (remember Abu Graib anyone?), nothing happened. That president is just sitting around painting pictures of hot dogs while lolling in his bathtub.

Still, there is value in keeping a chronicle of crimes and never forgetting them. This current stain on a house that is never free of stains in some form needs to be remembered and prevented. And we should all start using quotes when referring to executive mansion: The “White” House has been various shades of blood red from its inception.

RIP Amara Renas and all the other unknown women and men and children who fought on our behalf as well as their own. May you haunt our collective memory forever.

Normandy 2019

«One of the most brilliant things I’ve seen in a long time». Steve Bell and The Guardian continue to hit these out of the park. Go there and read, donate, support. They cover the U.S. as, if not more, effectively than the Times and Post or any other American news organization. Not that those exist anymore, but still.

Far more importantly, RIP Kurds. From you stretching back all the way to Columbus is a long, unbroken trail of genocide. Perhaps things will be just a tiny, marginally bit better in 2021. Knowing other Americans as I do, I’m not holding my breath. I am sincerely sorry that you will not have breath to hold until 2021. What a treasonous betrayal.

Impeach. Remove.

Movie Night: The Big Clock


Five Stars!

From 1948: That fabulous film noir, The Big Clock with Ray Milland, Charles Laughton, Elsa Lanchester and Harry Morgan.

The « synopsis »:

“Stroud, a crime magazine’s crusading editor, has to postpone a vacation with his wife (again) when a glamorous blonde is murdered and he is assigned by his publishing boss Janoth to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence (albeit wrong) that he is the killer.”

TMDb

IMDb, (which is, as I always say, one of the many tentacles of the suffocating Amazonia totalitarian state in which we live), has «a slightly different way of putting it»:

“When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn’t know but who just happens to have contact with the murder victim. That man is a close associate on his magazine whom he enlists to trap this ‘killer’ — George Stroud. It’s up to George to continue to ‘help’ Janoth, to elude the police and to find proof of his innocence and Janoth’s guilt.”

IMDb

The New York Times reviewer Bosley Crowther was « impressed and urged people to see it and pay close attention »:

“… For this is a dandy clue-chaser of the modern chromium-plated type, but it is also an entertainment which requires close attention from the start.

“Actually, in the manner of the best detective fiction these days, it isn’t a stiff and stark whodunit activated around some stalking cop. Nary a wise-guy policeman clutters up the death-room or the clues. As a matter of fact, the policemen are not called in until the end. And the fellow who does the murder is known by the audience all along.

“He’s a dynamic publishing magnate, ruler of a realm of magazines and a double-dyed rogue who runs his business on the split-tick of a huge electric clock. In a mad, jealous moment, he kills his sweetie, a not very temperate young thing, and then calls upon the cagey editor of his crime magazine to find the man. Two circumstances make this ticklish. The clues have been rigged to make it look as though the murderer were another fellow. And the other fellow is—the editor.

“Out of this cozy situation of a guy trying to square himself, even though he is thoroughly innocent and knows perfectly who the murderer is, Scriptwriter Jonathan Latimer and Director John Farrow have fetched a film which is fast-moving, humorous, atmospheric and cumulative of suspense. No doubt there are holes in the fabric—even a rip or two, perhaps—and the really precision-minded are likely to spot them the first time around. But the plot moves so rapidly over them and provides such absorbing by-play that this not-too-gullible observer can’t precisely put his finger upon one. (That’s why we urge your close attention—just to see if there is anything to catch.)

“As the self-protection clue-collector, Ray Milland does a beautiful job of being a well-tailored smoothie and a desperate hunted man at the same time. Charles Laughton is characteristically odious as the sadistic publisher and George Macready is sleek as his henchman, while Maureen O’Sullivan is sweet as Ray’s nice wife. Exceptional, however, are several people who play small but electric character roles: Elsa Lanchester as a crack-pot painter and Douglas Spencer as a barman, best of all. Miss Lanchester is truly delicious with her mad pace and her wild, eccentric laugh.”

The New York Times

It is, indeed, a wonderful picture and Charles Laughton and his wife Elsa Lanchester are fabulous.


The Big Clock (1948) Lobby Card
The Big Clock (1948) Lobby Card

The Big Clock (1948) Stolen from Burt's Place
The Big Clock (1948) Stolen from Burt’s Place

Best quotes:

Earl Janoth: [talking on intercom to Steve Hagen] “On the fourth floor – in the broom closet – a bulb has been burning for several days. Find the man responsible, dock his pay.”

The Big Clock

Louise Patterson: [after George Stroud outbids her for a picture] “Isn’t it a pity… the wrong people always have money.”

Don Klausmeyer: “I’m Don Klausmeyer, from Artways magazine.”
Louise Patterson: “Yes. [giggles] Oh, yes. Didn’t you review my show in ’41?”
Don Klausmeyer: “I think I did.”
Louise Patterson: “Oh, come in, Mr. Klausmann.”
Don Klausmeyer: “KlausMEYER.”
Louise Patterson: [laughs gleefully] “I’ve been planning to kill you for years.”
Don Klausmeyer: “Our organization, the Janoth Publications, is trying to find someone, possibly a collector of your pictures.”
Louise Patterson: “So have I for fifteen years.”

IBID

Pauline York: “You know, Earl has a passion for obscurity. He won’t even have his biography in ‘Who’s Who’.”
George Stroud: “Sure. He doesn’t want to let his left hand know whose pocket the right one is picking.”

IBID

George Stroud: “You’re the only blonde in my life.”
Georgette Stroud: “I’m a brunette.”
George Stroud: “And you’re the only brunette too.”

IBID

Five Stars!

The Big Clock. 1948. TCM. English. John Farrow (d). Kenneth Fearing, Jonathan Latimer, Harold Goldman (w). Ray Milland, Charles Laughton, Maureen O'Sullivan, George Macready, Rita Johnson, Elsa Lanchester, Harold Vermilyea, Dan Tobin, Harry Morgan, Richard Webb, Elaine Riley, Frank Orth, Lloyd Corrigan, Theresa Harris. (p). Victor Young (m). Daniel L. Fapp, John F. Seitz (c).


Movie Night: Sweet Charity


Three Stars?

From 1968: It’s quite possibly the most depressing musical ever made, Sweet Charity. I’m not sure what this was supposed to be, but it also seems to be the most depressing play Neil Simon ever wrote. And it’s all a piece with the extremely depressing year in which it was made.

The «synopsis»:

“Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.”

TMDb

Back in the day, the UK’s «Spectator critic Penelope Houston» touched on all the problems of Sweet Charity, but apparently wasn’t as negative as I am about it:

“It seems a little hard to criticise a musical because of the financial circumstances of its heroine. Sweet Charity, though, is the sort of film which sways in its second half, like Funny Girl, towards the unrequited, grin-and-bear-it ending. What Charity Hope Valentine is grinning and bearing is life as a dance-hall hostess (in the Fellini original, on which the stage musical was based, life as a not very successful prostitute); and since the film is set fairly, squarely and lovingly in New York of the rich ‘sixties, there seems no particular reason why its heroine can’t find a line of work that appeals to her more. This is partly a hazard of the sort of musical which takes over the almost serious subject, and in the end tries to come to terms with it in the almost serious way. Plotlines which did for Italy in the 1950s fray badly when dropped down in the middle of all this expensive decoration, so set on making too much of too little.

“And, of course, the dancehall, that useful old Hollywood haunt for mistily reprehensible goings-on, actually comes across as a rather well-conducted establishment, with heroine’s friends Chita Rivera and Paula Kelly (both excellent) bounding about like a couple of genially astringent school prefects. But if Charity, played by Shirley MacLaine in her sharpest innocent-at-large style, really wants to escape, it’s hard to see what is holding her back.

“One is supposed to find Charity’s plight rather true and touching; and on the whole doesn’t. And it is perhaps tough on Shirley MacLaine that her particular line in rueful, shrewd, precariously hopeful fatalism, though executed as winningly as ever, already suggests a speculation which the film doesn’t care to take up: the heroine of The Apartment almost ten years on, the valiant last of the kooky girls. All the same, the performance bounces, as does the film when it’s looking down the line of morose dance-hall girls (‘Hey, Big Spender’), ambling into Fellini parody in an absurd mock-Roman nightclub, or flinging its dancing girls about a grubby rooftop in a number so nostalgic for older musicals that one is only surprised they don’t burst into ‘New York, New York, it’s a wonderful town.'”

Penelope Houston, The Spectator

“Precariously hopeful fatalism.” That’s a pretty fair, if paradoxical, take on Charity’s life outlook.

The film starts with Charity being dumped (quite literally) by her would-be fiancee and nearly drowning. It proceeds through an obviously doomed night with a celebrity film director, then follows an ultimately, but not so obviously doomed, engagement and ends with a “Keep on the Sunny Side” denouement … “keep your chin up even if it’s been ground into the dirt,” is I guess how I would describe it.

As I said, it’s all surprisingly depressing for a musical, but the late 60s was a depressing decade. The same year as Sweet Charity was released saw the assassinations of MLK and RFK and the end to any dream of a Camelot restoration, plus mass riots and worsening casualties in the pointless failure of the war in Vietnam. That would seem to indicate that a big movie musical would need to provide a necessary uplift to viewers: toe-tapping, heartening, he-gets-the-girl-they-live-happily-ever-after type of stuff. Instead, audiences were treated to a sweet girl being dumped brutally three straight times and musical numbers that seemed to celebrate girls begging for money (“Hey Big Spender …”), jealousy (“If my friends could see me now …”), girls trapped in bad situations (“There’s Gotta Be Something Better Than This …”) and a sense of hopeless wandering (“Where Am I Going? …”). An American in Paris it ain’t (“Our Love is Here to Stay,” “Tra-la-la (This Time It’s Really Love),”I Got Rhythm,” “‘S Wonderful,” etc., etc.), but I suppose that was the difference between 1951 and 1968.

Audiences seemed to agree with the “depressing” assessment; while it cost $20 million to make, it only brought in $8 million at the box office and just about destroyed Universal, which then, so the story goes, forced it to make the successful Airport (1970), a film whose star Burt Lancaster described as “a piece of junk,” but which, according to «Box Office Mojo», made $100,489,151. That one had a happy ending, with the bad guy dead and everyone/everything else saved (Helen Hayes and a Boeing 707), with the notable exception of Dean Martin/Barbara Hale’s marriage.

Shirley MacLaine is wonderful in Sweet Charity, as she has been in pretty much everything she’s ever done. It’s worth noting that a “corny” happy ending was filmed because Bob Fosse feared the studio would want it, but the studio surprised him and decided to keep the original stage musical ending. I think it was the right decision, but regardless of which ending you use, this thing was probably not rescue-able. The songs and dances, Shirley MacLaine and Cita Rivera, et al, were great; it’s just the stuff in between that is less than satisfying.


Sweet Charity Lobby Card
Sweet Charity Lobby Card

Best quotes:

Charity Hope Valentine: “Wow, this place is sure full of celebrities. I’m the only one in here I’ve never heard of.”

Sweet Charity

Charity Hope Valentine: “Fickle Finger of Fate!”

Ibid

Helene: “There ain’t no use flappin’ your wings, ’cause we are stuck in the flypaper of life!”

Ibid

Vittorio: “Without love, life would have no purpose.”

Ibid

Oscar Lindquist: “The odds against us are at least a hundred to one.”
Charity Hope Valentine: “Those are the best odds I ever had.”

Ibid

Three Stars?

Sweet Charity. 1969. TCM. English. Bob Fosse (d). Neil Simon, Peter Stone, Federico Fellini, Tullio Pinelli, Ennio Flaiano (w). Shirley MacLaine, John McMartin, Ricardo Montalban, Sammy Davis Jr., Chita Rivera, Paula Kelly, Stubby Kaye, Barbara Bouchet, Alan Hewitt, Ben Cy Coleman (m). Robert Surtees (c).


Movie Night: Strait Jacket

["'Tina! Bring me the axe!" Joan Crawford hacks up the Six Million Dollar Man in 1964's Strait-Jacket. "Lucy Harbin took an axe, gave her husband forty whacks, when she saw what she had done, she gave his girlfriend forty one."]
Four and 1/2 stars!

From 1964 (and presented by the fabulous Svengoolie): It’s Mommie Dearest with an axe, but with a twist! Here is Joan Crawford in Strait-Jacket!

The «synopsis»:

“After a 20 year stay at an asylum for a double murder, a mother returns to her estranged daughter where suspicions arise about her behaviour.”

TMDb

IMDb has «a slightly different way of putting it»:

“After a twenty-year stay at an asylum for a double murder, a mother returns to her estranged daughter where suspicions arise about her behavior. “

IMDb

Oh, okay, that’s not so different. Hmmm. Is there collusion between those two sites? But how else would you describe this thing? Let’s check «Rotten Tomatoes» then:

“In this chilling blood-tale in ‘Psycho’ style, Robert Bloch modernizes the Lizzy Borden story. A wife (Joan Crawford) literally axes her cheating husband and his lover, witnessed by her three-year-old daughter. Mom is packed off to the insane asylum for 20 years before reuniting with the daughter (Diane Baker). From this point, the axe murders continue along a contrived plot intended to lead the audience astray until the mystery is solved. Crawford’s strong performance and the excellently constructed suspense are the best elements of the film—and the chopping saves the show when the plot tends to slow.”

Rotten Tomatoes

But more importantly, what did critics say about Mommie Dearest, er, I mean Strait Jacket? Shaun Mulvihill over at Fan Boy Nation pretty much covers it very well:

“… Strait-Jacket is now hailed as a camp classic, which it is no doubt, but it’s also a throwback melodrama that is punctuated by its moments of violent ax murders. Shout!

“Having not seen Strait-Jacket in at least 10 years, one thing stood out in revisiting the film on the new Blu-ray – this film isn’t too dissimilar to the sordid drama of «Mildred Pierce» that won Joan Crawford her lone Oscar. Even though in the wake of What Ever Happened to Baby Jane?, as Crawford was being repurposed as a scream queen, she always gave her all to the performance. Strait-Jacket may have been seen as a B-movie to the studio and the critics reviewing the film in 1964, Crawford gives an A performance as the mentally ravaged Lucy Harbin. Of course, Crawford made sure to employ her role as the spokeswoman of Pepsi in the film, inserting six-packs of Pepsi throughout the film.
“The violence of Strait-Jacket looks quaint by today’s standards, with some rather unrealistic looking limbs being violently severed by a swinging ax. Even though Strait-Jacket is released after Herschell Gordon Lewis created the modern gore film with Blood Feast, Strait-Jacket is remarkably graphic for a studio film of its era. The posters used the violence as a selling point, proclaiming, ‘Strait-Jacket vividly depicts ax murders!’ I won’t lie, the violence of Strait-Jacket is funny by today’s standards, but it’s important to remember its context of film violence of its era.

“There’s no defending Crawford the person and her deplorable actions. On the screen, though, she shined bright and continues to shine as her classic are restored and revived on home video. Strait-Jacket may not have been her proudest moment, but you’d never know it from her dedicated performance. It’s a true testament to Crawford’s presence as a performer that Strait-Jacket is much more a Joan Crawford picture than a William Castle picture. Castle was a great showman and huckster, and he stepped aside to give the spotlight to bigger showman. William Castle knew he didn’t need a gimmick when he had Joan Crawford.”

Fan Boy Nation

It’s all tremendous fun, especially if you remember the context. Yes, it foreshadows Mommie Dearest, which makes you wonder where that particular flick came from (did Christina Crawford confuse a viewing of Strait-Jacket with her life? Oh, sorry. I’m sure her trauma was very real.) But for gosh sake, cinema Joan wielding the axe on Lee Majors in 1964 and then supposedly-real-life Joan wielding the axe on a tree 17 years later is rather … interesting.

Nonetheless, it’s always a fun time. The bonuses here are George Kennedy as a farmhand foreshadowing by 22 years Billy Bob Thornton in 1996’s Swing Blade (“I like them French fried potaters.”), all the Pepsi placement, and Lee Majors in pre-Six Million Dollar Man mode, along with his very hairy chest, fluffily rising and falling just before the axe falls. Also fun is Edith Atwater as a society matron, her tut-tut husband Howard St. John, and their son, John Anthony Hayes as their son in the very-good-looking-man role, who discovers something very unsettling about his would-be fiancee.

The ending, featuring Edith Atwater’s horrifying discovery and a mask and Joan suddenly replaying her role as Nurse Lucretia Terry in The Caretakers (1963), is pretty fabulous, but shhhhh, don’t reveal it to anyone so as not to spoil their spine-tingly, horrifyingly good time! Watch it!


Strait-Jacket Lobby Card
Strait-Jacket Lobby Card

Best quotes:

Daughter Dearest, they should have called this thing. Love these quotes, especially, “Lucy Harbin took an axe …”

Carol Harbin: “I hate you! I hate you! I hate you! No I didn’t mean that, I love you. I hate you!”

Strait-Jacket

First little girl: “Lucy Harbin took an axe, gave her husband forty whacks, when she saw what she had done, she gave his girlfriend forty one.”
Carol Harbin: [Lucy storms out to find two girls playing jump rope] “What is it, Mother?”
Lucy Harbin: “I heard them …”
First little girl: “London bridge is falling down, falling down, London bridge is falling down, my fair lady.”
Carol Harbin: “It’s just a nursery rhyme, mother.”
Second little girl: “Take the key and lock her up, lock her up, lock her up, take the key and lock her up, my fair lady.”

Ibid

Four and a half stars – for the camp value alone!

Strait-Jacket. 1964. MeTV. English. William Castle (d). Robert Bloch (w). Joan Crawford, Diane Baker, Leif Erickson, Howard St. John, John Anthony Hayes, Rachelle Hudson, George Kennedy, Edith Atwater, Mitchell Cox and Lee Majors' hairy chest as one of the axe victims. (p). Van Alexander (m). Arthur E. Arling (c).


Movie Night: A Cry in the Night

[The movie poster for A Cry in the Night. What did "Cert X" mean? Was Perry Mason in an X-rated film?!]

Four Stars!

From 1956: A weird flip-flop which is like a Perry Mason episode … because it stars Perry Mason‘s Raymond Burr as a violent voyeur/kidnapper and Perry Mason‘s Richard Anderson (more famous for the Bionic Man/Woman stuff) as one of Burr’s victims. The bonus here is the kidnappee is Natalie Wood.

The «synopsis»:

“A police captain’s emotions get in the way when his daughter is kidnapped.”

TMDb

IMDb’s «synopsis» isn’t much better:

“A deranged man kidnaps the nubile daughter of a police captain. “

IMDb

There doesn’t seem to be any contemporary reviews of this noir, so we’ll have to rely on a «user review on IMDb by “bmacv”», who writes:

“When Raymond Burr’s face (grotesquely lighted by John F. Seitz) looms out of the shrubbery at Lovers’ Loop [sic], he adds A Cry in the Night to his long string of films in which he cemented his reputation as the noir cycle’s most indispensable and unforgettable creep. He’s prowling the petting grounds looking for a girl, and doesn’t care how he gets her. Assaulting the male half (Richard Anderson) of a necking couple, he kidnaps the other (Natalie Wood), spiriting her off to a den he’s fixed up in an abandoned brickyard. This time, though, there’s a catch to Burr’s villainy: He’s a dim-witted hulk, a childish monster akin to Lennie in Of Mice And Men.

“Even less wholesome is Carol Veazie as Burr’s doting, sweet-toothed mother. Managing simultaneously to suggest Dame Judith Anderson, Jean Stapleton and Doris Roberts, she shuffles around drinking coffee in her horse-blanket bathrobe, whining about that missing slice of apricot pie. Nineteen-fifty-six, some may recall, was the high-water mark of a national panic about ‘Momism,’ a threat deemed scarcely less perilous to the republic than the international Communist conspiracy; Veazie endures as one of its most formidable operatives (her successors would include the unseen Mrs. Bates in Psycho, Angela Lansbury’s Mrs. Iselin in The Manchurian Candidate, and Marjorie Bennet’s Dehlia Flagg in Whatever Happened to Baby Jane?).”

IMDb

The reviewer is right: Whatever the novelty of seeing goodie two-shoes Perry Mason as a Peeping Tom/Kidnapper, it’s Carol Veazie who is the standout. She is indeed freaky-deaky, rattling on about her “something sweet before bed from Baby,” that brought to my mind “It puts the lotion in the basket” dude from Silence of the Lambs. After watching so much Perry Mason over the last year or so, thanks to MeTV (I had never seen an episode of it before), seeing his freaky turn was a bit laughable. But Veazie: Now THAT was truly creepy.

Edmond O’Brien and Brian Donlevy were good as always as the cops, and Irene Hervey was so very 1950s mother that at first I thought she was Jane Wyatt of Father Knows Best, the quintessential 1950s mom. Natalie Wood gave the screaming her best and pre-Perry Mason‘s Richard Anderson competently walked around in a daze.

The weirdest thing in this weird concoction though was the very short subplot of Madge (Mary Lawrence), who is, we can only guess, O’Brien’s sister? Wood’s sister? Who knows? She’s there for a couple of scenes, Hervey says Madge is unhappy because she’s unmarried and then <boom> nothing further happens with her. Weird, weird, weird.

Still, it’s all good clean, dirty fun, that says much about the decade it was made in, as well as being a good example of its genre. Worth a look if you get the chance.


Perry Mason, er, Raymond Burr Strangles Natalie Wood!

Best quotes:

Terence McNally knows how to write ’em:

Capt. Dan Taggart: “I just wanna know what’s bothering Madge.”
Helen Taggart: “She isn’t married, that’s what’s bothering her. She’s 37 years old and she isn’t married.”

A Cry in the Night

Boy on Motorcycle: “Sock her again! They love it!”

Ibid

Capt. Ed Bates: “How do ya tell a guy that his kid has been grabbed?”

Ibid

Capt. Dan Taggart: “I don’t care about your coffee! Your son has kidnapped my child!”

Ibid

Four Stars!

A Cry in the Night. 1956. TCM. English. Frank Tuttle (d). David Dortort, Whit Masterson (w). Edmond O'Brien, Brian Donlevy, Natalie Wood, Raymond Burr, Richard Anderson, Irene Hervey, Carol Veazie, Mary Lawrence, Herb Vigran. (p). David Buttolph (m). John F. Seitz (c).


Movie Night: The Ritz

[Like Jack Weston in The Ritz, we sat with our mouths open the entire movie.]
3 3/4 Stars!

From 1976: What’s the hell is this thing?! Antonio Salieri as a gay, towel-clad habitué of … a gay bath house? The Four Season‘s Jack Weston as a mob family son-in-law on the run who hides in … a gay bath house? Treat Williams doing a high-pitched voice “thing” running around in a towel in … a gay bath house? Rita Moreno as the drag-queen-esque singer in … a gay bath house? Ben Stiller’s Jewish daddy playing a pissed-off Italian mobster running around in aa towel and garters trying to find Jack Weston for “offing” purposes … in a gay bathhouse? Kaye Ballard screaming and fainting … in a gay bathhouse? Paul Price as a chubby chaser … in a gay bathhouse?

Yes, it’s all those things and more in «The Ritz» … a gay bathhouse … with the aforementioned Jack Weston, Rita Moreno, Treat Williams, Jerry Stiller, Kaye Ballard, Paul Price and in what was for me, a performance better deserving of an Oscar than that Amadeus thing: F. Murray Abraham. For 1976, this thing was pretty advanced. Major stars or soon-to-be stars (Abraham’s Oscar came a mere eight years later.)

But so much to write about here. Regardless of whether you saw it then as scandalous that such perversions were being exhibited in public theaters or whether you see it now as being stereotypical, offensive and overly focused on white, male, straight actors and queer panics and Italian stereotypes, to wit … offensive!! … there is much to actually be loved here. Ahead of its time, groundbreaking, unheard-of and un-mentionable, we laughed out loud a lot, even at the corny bits. But I guess that could be that we are, after all, two fags of a certain age (I was 12 1/2 when this thing came out, but seem to have no memory of it, largely because the churches of Duncan, Oklahoma, would have collectively LOST. THEIR. SHIT. and burned down the theater which dared to satanically show this reeking pile of offensive (there’s that word again) spitting in the face of the Christ child … ergo, I didn’t see it, it was only moderately successful and many of its reviewers were clueless about what it all meant.

So yes, there are problems.

The synopsis:

“On his deathbed Carmine Vespucci’s father tells him to ‘get Proclo.’ With ‘the hit’ on, Gaetano tells a cab driver to take him where Carmine can’t find him. He arrives at the Ritz, a gay bathhouse.”

TMDb

IMDb, one of the many tentacles of the suffocating Amazonia totalitarian state in which we live, has «a slightly longer way of putting it»:

“On his deathbed, Carmine Vespucci’s mobster father tells him to ‘get Proclo’ – Carmine’s brother-in-law Gaetano. With ‘the hit’ on, Gaetano tells a cab driver to take him where Carmine can’t find him. He arrives at The Ritz, a gay bathhouse where he is pursued amorously by ‘chubby chaser’ Claude and by entertainer Googie Gomez, who believes him to be a Broadway producer. His guides and protectors through The Ritz are gatekeeper Abe, habitué Chris, and bellhop/go-go boys Tiger and Duff. Squeaky-voiced detective Michael Brick and his employer Carmine do locate Gaetano at the Ritz, as does his wife Vivian, but family secrets come out.”

IMDb

The late and much lamented Roger Ebert «seemed a bit bemused» by The Ritz back in the day:

“One of the character’s problems, though — and it becomes the movie’s problem as well — is that he’s so unbelievably dumb, so slow to catch on. Forty-five minutes into the movie, he’s still doing incredulous double-takes and mouthing forbidden words as he discovers what his fellow patrons are doing in their cubicles. I don’t know if we’re supposed to identify with his endless state of shock — or laugh at it — but after a while we wish the movie would be funny about something else.
And, just in the nick of time, it does. Weston runs into two of the denizens of the Ritz: The unflaggingly ambitious would-be singer Googie Gomez, and the indefatigable Claude. Each has a personal reason for pursuing Weston: Claude has a fetish for fat guys, and Googie thinks Weston is a big-time Broadway producer who will discover her and hire her for — who knows? — maybe a bus-and-truck tour of “Oklahoma!” Googie, played by Rita Moreno, has some of the funniest moments in the movie. To the incongruous accompaniment of a poolside orchestra in black tie, she butchers several song-and-dance numbers, loses a shoe and a wig and winds up in the pool. She is also ferocious in her ambition, tossing rivals down the laundry chute and promising Weston the hanky-panky will start after her second show.

“And yet ‘The Ritz’ never quite succeeds. Its ambition is clearly to be a screwball comedy in the tradition of the 1930s classics and such recent attempts as ‘What’s Up, Doc?‘ and ‘Silent Movie.’ But it lacks the manic pacing, and the material grows thin; Terrence McNally’s screenplay (based on his own play) depends so completely on comic material dealing with homosexuality that other opportunities are lost. And Richard Lester’s direction is a little erratic; the movie lunges forward and then hits dead spots, and the final 10 minutes seem to take forever to dispose of various plot points. Still, ‘The Ritz’ has, its moments. When again will we see Jack Weston as an Andrews sister?”

Roger Ebert

When again indeed? Well, uh, never! Which is the conceit, although by the time he appears as an Andrews Sister, he looks a lot like George Wendt of Cheers fame. But that’s an aside.

This one could open up cans upon cans of works about the way we see old cultural pieces through the lens of today’s culture wars. The intersectionaled, cisgendered lesbian womyn of today probably wouldn’t appreciate this one. There’s some disgusting stereotypes with Googie as Rita Moreno playing up her New York Puerto Rican accents (example: “One of dees days ju is going to see de name of Googie Gomez up in lights and you gonna ask to juself, ‘Gwas dat her?’ An den ju gonna answer to juself, ‘Jes, dat gwas her!’ Well, let me tell you something, Mister: I gwas ALWAYS her, jus dat nobody knows it!'” That’s sure to make the next generation’s SJWs all go into a tizzy.

Except they won’t because ultimately, this thing is being shown on Retro or TCM or something and


The Ritz
The Ritz

Best quotes:

Terence McNally knows how to write ’em:

Gaetano Proclo: “Listen, there’s something I have to tell you.”
Chris: “You’re not gay?”
Gaetano Proclo: [relieved] “No!”
Chris: “What, are you a social worker or something?”
Gaetano Proclo: “No, but I didn’t know that everyone in here was …”
Chris: “GAY! See? It’s not a bad word. You might try using it sometime.”
Gaetano Proclo: “You mean to tell me that everyone in here is gay?”
Chris: “God, I hope so. Otherwise I just paid ten dollars to walk around in a towel in front of a bunch of Shriners.”

The Ritz (1976)

Gaetano Proclo: “We used to have a guy like that back in the army. We called him ‘Get away from me Claude.'”

Ibid

Patron With Cigar: “Crisco.”
Gaetano Proclo: “What?”
Patron With Cigar: “Crisco Oil Party. Room 419. Pass it on.”
Gaetano Proclo: “Pass what on?”
Patron With Cigar: “Bring Joey.”
Gaetano Proclo: “Who’s Joey?”
Patron With Cigar: “You know Joey. Don’t bring Chuck. You’ve got that?”
Gaetano Proclo: “Crisco Oil Party. Room 419. I can bring Joey but not Chuck.”
Patron With Cigar: “Check.”
Gaetano Proclo: “What’s the matter with Chuck?”
[answer is whispered in his ear]
Gaetano Proclo: [absolutely horrified] “Chuck is definitely out!”
Patron With Cigar: [walking away] “Hey, you won’t be disappointed.”

Ibid

Googie Gomez: “Think of a tropical night. Think of a beetch.”
Gaetano Proclo: “What bitch?”

Ibid

3 3/4 Stars!

The Ritz. 1976. TCM. English. Richard Lester (d). Terrence McNally (w). Jack Weston, Rita Moreno, Jerry Stiller, Kaye Ballard, F. Murray Abraham, Paul B. Price, Treat Williams, Dave King, Peter Butterworth. (p). Denis O'Dell (m). Paul Wilson (c).


Movie Night: An American Tragedy

[Phillips Holmes in An American Tragedy, realizing he really does hate that grasping little factory girl and would be much happier drowning her.]

FourStars

From 1931: «An American Tragedy» with Phillips Holmes, Sylvia Sidney and Frances Dee. The first cinematic adaptation of Theodore Dreiser’s novel of the same name, it was eventually remade as a more famous film in 1951 starring Montgomery Clift, Shirley Winters and Elizabeth Taylor: A Place in the Sun.

But this version has much to recommend it. Except the sound. The sound is like what Singin’ in the Rain was parodying. Sound in motion pictures wasn’t yet refined, so everything in the pic, especially background noise, is loud and excruciating. In the courtroom scene when the D.A. pounds his fist on the bannister in front of the accused, the resounding thuds shook the walls. Meanwhile, whole sections of dialogue were hard to pick up. Just a quibble.

The synopsis:

“A social climber charms a debutante, seduces a factory worker and commits murder.”

TMDb

It’s hard to find reviews for films of this age, but fortunately «Richard Cross of 20/20 Movie Reviews» came through, writing in 2013 and comparing the two film versions:

“An American Tragedy was remade in 1951 with Montgomery Clift in the role played here by Holmes but, while this version isn’t without its faults (which are due more to its age rather than any inherent flaws). it’s far superior to the Clift version, even though Griffith (or Eastman, as he was called in the later version), is a much more sympathetic character in the second movie. Holmes’s version is selfish and manipulative, and yet we never entirely lose some level of sympathy for him. Deep down he’s not a bad person, but he falls victim—like Roberta—to his own cowardice and weakness of character. These character flaws are gradually and painfully exposed during the trial, a lengthy sequence which was once one of the film’s strengths but which appears a little far-fetched and overacted today. The grandstanding acting style of Charles Middleton (Flash Gordon’s nemesis, Ming the Merciless) and Irving Pichel is a real drawback which isn’t helped by the way Samuel Hoffenstein’s screenplay call upon them to almost engage in fisticuffs. Overall though, An American Tragedy stands up well for its age.”

Richard Cross

Dreiser’s work, and therefore the two films, was based on the real life murder of «Grace Brown by Chester Gillette» in an upper New York lake on 11-Jul-1906. Basically, amoral social climber from poor background seduces poor factory girl, gets her pregnant, wants to marry a rich socialite and so kills poor factory girl by smashing her in the head with his tennis racket and dumping her body in a lake, fakes a canoe accident, trips self up by being basically an idiot, dies in electric chair after mercy is refused by Governor Charles Evans Hughes.

Both movie versions were faithful to the book and real life, as far as these things go. The real life event could stand the Erik Larson deep dive nonfiction treatment, to see how and where Dreiser departed from events. For the 1931 film, Holmes manages to make you want to both hug him and strangle him. Sadly, Holmes’ extensive career, including an appearance in the Our Gange feature General Spanky, came to an end thanks to World War II. He had just completed flight training in the Royal Canadian Air Force and was being transferred from Winnipeg to Ottawa, when the transport he was riding in collided in mid air with another aircraft over Ontario. He was only 35.

An American Tragedy Poster
[Including this poster from An American Tragedy because it’s too awesome and Art Deco for words. Now THAT’S a movie poster!]

Best quotes:

Well, there’s not any from the movie, really. These are from the book:

“Clyde had a soul that was not destined to grow up. He lacked decidedly that mental clarity and inner directing application that in so many permits them to sort out from the facts and avenues of life the particular thing or things that make for their direct advancement.” “

An American Tragedy (book)

“And they were always testifying as to how God or Christ or Divine Grace had rescued them from this or that predicament—never how they had rescued any one else.”

Ibid

“For in some blind, dualistic way both she and Asa insisted, as do all religionists, in disassociating God from harm and error and misery, while granting Him nevertheless supreme control. They would seek for something else—some malign, treacherous, deceiving power which, in the face of God’s omniscience and omnipotence, still beguiles and betrays—and find it eventually in the error and perverseness of the human heart, which God has made, yet which He does not control, because He does not want to control it.”

Ibid

4 Stars! (Because sound. Ow.)

An American Tragedy. 1931. TCM. English. Josef von Sternberg, Hans Dreier (d). Phillips Holmes, Sylvia Sidney, Frances Dee, Irving Pichel, Frederick Burton, Clair McDowell, Charles Middleton, Arnold Korff. (p). John Leipold, Ralph Rainger (m). Lee Garmes (c).


Movie Night: Thieves’ Highway

["Let me smoke your butt, Nick!" Valentina Cortese and Richard Conte in Thieves' Highway. Take that Bogie and Bacall!]
4 3/4 Stars!

From 1949: «Thieves’ Highway». We weren’t really planning to watch, but were drawn in immediately. I think we had seen it before, but it’s been a long while. Glad we watched. Ironically, Valentina Cortese just passed away on 10-Jul of this year. Watching her performance here was fitting, and showed just how big of a loss was her passing.

Thieves’ Highway is a classic Noir tale of truckers and apples and greed and sex and San Francisco and California and highways and death. Besides the fabulous Valentina Cortese and Richard Conte, it features Lee J. Cobb in a dress rehearsal for his role in On the Waterfront, Jack Oakie and Millard Mitchell, who would be seen six years later in the classic Singin’ in the Rain, as the movie producer R.F. Simpson.

The synopsis:

“Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.”

TMDb

Michael Sragow, writing in an essay for the Criterion Collection «Thieves’ Highway: Dangerous Fruit» has some nice observations:

“Like the movie’s rattletrap trucks lurching down the highway as they carry way-too-heavy loads, the characters in Jules Dassin’s brilliantly volatile Thieves’ Highway struggle under psychological and moral baggage until they can lay their burdens down. Working from a novel and script by A.I. Bezzerides, Dassin made this swift, fluid melodrama in 1949, after Brute Force and The Naked City. … it has a rich sensuality all its own.


“All the symbols in this movie are rock-hard and understated. The white military star on Nick’s truck makes a mute, omnipresent comment on postwar disillusion. And each time you hear “Golden Delicious,” the image it conjures of Olympian delight contrasts sardonically with the perils of the road and the savage competition of the San Francisco marketplace.”

Michael Sragow, The Criterion Collection

(I love how Sragow introduces Nico: “Garcos … has sailed around the world without ever getting worldly.” HA!)

He then notes the inner workings of the film and places it in context:

“Dassin … is just as deft as Kazan in Boomerang! (1947) or Panic in the Streets (1950) at using real locations for knifelike verisimilitude, then catching their most far-out and surprising emotional repercussions.”

“Dassin begins scenes with compositions that border on cliché–whether of a cheerful Fresno suburb or the bustling streets and crowded pier-side haunts of San Francisco’s marketplace. But each time, he punctures the cliché with cascades of complex details emerging spontaneously from the conflicted drives of the characters and the life-or-death stakes of their situations.”

IBID

Sragow, writing 1-Feb-05, then notes something that is culturally a hot button right now: toxic masculinity:

“Under Dassin’s direction, Conte here minted a fresh leading-man archetype-a rough-edged, virile naïf, containing equal amounts of violent distrust and gallantry. And Mitchell brings deep-grained orneriness to Ed, a summa cum laude from the school of hard knocks, willing to rook others to satisfy his sense of justice. What gives this movie its charge isn’t just the physical danger of the road and the injustice perpetrated when fixers like Figlia use dirty tricks on truckers and buyers—it’s the psychological drama of men tossed off balance by want and need as they strive to achieve equilibrium.”

“Ed pulls Nick out from under his truck after Nick botches a tire change and gets his face buried in sand. When the older man bandages his neck, and these two finally forge a bond, Nick mutters that passersby might get the wrong idea.”

IBID

Pretty advanced for 1949, but like the ending, it gets set right: Nothin’ but manly man hetero stuff … 1949’s equivalent of “No Homo.”

And just so we’re clear that Conte/Mitchell and Oakie/Pevney are just no homo bros, in comes Rico to keep the men manly. Curiously, she’s rather butch, both in her toughness and her physical, trenchcoat-wearing appearance. In fact she’s sporting a short Italian haircut (which would be the focus of an I Love Lucy episode in a few years), which accentuates her Italian “earthiness,” (also the focus of an I Love Lucy episode in a few years). AND her character was originally named “Tex.” (See the paragraph about Hope Emerson below for more on this stuff.) Sragow sums it up:

“Played by Valentina Cortese with dazzling emotional clarity and erotic warmth, she’s at once this film’s beating heart and the center of its existential concerns–she dares Nick to trust his instincts and trust her, despite her shady deal-making and background.”

IBID

The review is also interesting because it delves into the writing:

“Bezzerides’ writing at its peak boasts a dynamic blend of iconoclasm and bitterness–an ideal combination for the intersection of kinetics and moodiness that is film noir.

“Bezzerides objected to several alterations to his book and deplored the casting of Dassin’s then-girlfriend Cortese in a role originally called “Tex.” But in movie terms, he was incorrect on every count–to use his phrase, the only truly “chickenshit change” was a studio-inserted scene in which cops berate Nick for taking the law into his own hands. Cortese’s sometimes comical, sometimes poignant, always live-wire oomph makes this proletariat adventure unique and gives it the ravaged soul and earthy glamour of a demimonde romance. No gal in movies has ever looked sexier or more good-humored drying her hair after a shower. When Nick says Rica has “soft hands,” she says she has “sharp claws.” She uses them only to play tic-tac-toe on his chest–a fitting game for a film in which one false move can turn ethical and commercial triumph into disaster.”

IBID

In a shorter review, «John Chard» agrees with Sragow, and adds that the chicken shit ending, tacked on to appease the Production Code’s moralists, is ridiculous:

“Revenge, hope and desperation drives Dassin’s intelligently constructed noir forward. It’s a film very much interested in its characterisations as it doles out a deconstruction of the American dream. … Dassin and Bezzerides push a revenge theme to the forefront whilst deftly inserting from the sides the devils of greed and corruption of the California produce business.
“The trucks’ journey is brilliantly captured by the makers, both exciting and exuding the menace of the hard slog for truckers. … [once in San Francisco] underhand tactics come seeping out and the appearance of prostitute Rica (Cortese) into Nico’s life adds a morally grey area that pings with sharp dialogue exchanges. Real location photography adds to the authentic feel of the story, and cast performances are quite simply excellent across the board.
“The code appeasing ending hurts the film a touch, inserted against Dassin’s wishes, and there’s a feeling that it should have been more damning with the economic tropes; while the fact that Nico’s father is more concerned about being robbed of money than losing the use of his legs – is a bit strange to say the least. However, from a graveyard of tumbling apples to the fact that more than money is stolen here, Thieves’ Highway is sharp, smart and engrossing stuff.”

John Chard, TMDb

Sharp, smart, engrossing … and for us LGBTQ+ viewers, chock full of forbidden fruit.

We loved this one. Having spent many years in the Bay Area, we could relate to much of the scenery and sensibilities and subtext.

And speaking of subtext again, worth noting is the appearance of the wonderful Hope Emerson, a career character actor with a long list of credits, including Adam’s Rib in the same year as Thieves’ Highway. In Adam’s Rib, she played a very talented gymnast in a courtroom, in a role that noted both how big and butch she was, in an era when that kind of thing was invisible. She is somewhat the same in Thieves’ Highway, minus the gymnastics, as a very tough female fruit buyer. Dassin pretty much broke the Code in multiple ways throughout the movie; although the Code had the last say with its smarmy cop platitudinal lecturing about not taking the law in your own hands, the weight of his film said, “Nuts to you!” to the Code.

A good pairing for this would be The Grapes of Wrath, which starts with starving Okies hitting Route 66 in search of fruit picking work. Follow that with Thieves’ Highway and you get a clear picture of what it takes to get an apple off a tree into the teeth of someone wanting to cheat a doctor a day.

Sadly, much is unchanged in this process, except the grower, the picker, the trucker and the distributor-to-grocery-stores are all corporate behemoths and conditions may, if anything, be worse than 1940’s Grapes of Wrath and 1949’s Thieves’ Highway. We’ve let much slide since Reagan, who married anti-New Deal propaganda with our generation’s laziness and produced massive rollbacks of workers’ rights (and the current occupant of the White House), and our grandchildren will have to fight three times as hard as their ancestors between 1870 and 1950 did for decency, living wages, respect, clean air, clean water, and safe working conditions. Whether they will do it remains to be seen.


Best quotes:

Nico ‘Nick’ Garcos: [to Rica] “You look like chipped glass.”

Thieves’ Highway

Nick: “Hey, do you like apples?”
Rica: “Everybody likes apples, except doctors.”
Nick: “Do you know what it takes to get an apple so you can sink your beautiful teeth in it? You gotta stuff rags up tailpipes, farmers gotta get gypped, you jack up trucks with the back of your neck, universals conk out.”
Rica: “I don’t know what are you talking about, but I have a new respect for apples.”

Thieves’ Highway

My rating: Four 3/4 stars; Not a full five because of the Code-appeasing ending, tacked on against the director’s protests.

Thieves Highway. 1949. TCM. English. Jules Dassin (d); A.I. Bezzerides (w); Richard Conte, Valentina Cortese, Lee J. Cobb, Barbara Lawrence, Jack Oakie, Millard Mitchell, Joseph Pevney, Morris Carnovsky, Tamara Shayne, Kasia Orzazewski, Norbert Schiller, Hope Emerson (p). Alfred Newman (m). Norbert Brodine (c).


Movie Night: Apollo 11

[Is my lipstick on straight? Neil Armstrong and Buzz Aldrin taking first pics on the moon in Apollo 11. Houston, there's no Fotomat around here!]

5 Stars!

From 2019: «Apollo 11». It’s the 50th anniversary, in case you hadn’t heard, of humans on the moon, so this is an appropriate thing to do. We missed it on IMAX back in March, but it’s still pretty awesome on a home UHF bigscreen.

The synopsis:

“A look at the Apollo 11 mission to land on the moon led by commander Neil Armstrong and pilot Buzz Aldrin.”
—TMDb

And CMP Michael Collins, it should be added.

It’s a magnificent bit of cinema and well-worth watching, especially on this day. It freshly reminds you of just exactly how incredible the achievement of half-a-billion people, represented by three men, was, in an incredibly difficult decade.

This one also stands out because of fresh, never-released footage and the filmmakers’ approach.

Sandra Hall «noted» its rejection of typical documentary or cinema techniques which would have landed it solidly in the middle of the pack of 50-year anniversary docs:

“Miller uses no voiceover. Nor are there contemporary interviews looking back on the mission and its legacy. Thanks to the vividness of the footage and some inspired editing, he has succeeded in recapturing the atmosphere of the time. The air of immediacy he’s conjured up entices you into accepting the illusion that the mission happened only yesterday. …
“Nor is there any of the heightened drama that fiction has bestowed on those crucial seconds as Armstrong finessed the touchdown, switching to manual control and straining to avoid the large boulders and the crater in their path.
“It was hair-raising and last year’s Armstrong biopic, The First Man, made the most of it by filling the scene with flashing red lights and a chorus of warning bleeps before a visibly rattled Ryan Gosling felt safe enough to smile.
“Yet this film tells us that the moment was remarkable only for its aura of unshakeable calm. The voices sound untroubled. The only sign of tension is the arrow on the fuel gauge as it moves inexorably towards the empty sign.”
—Sydney Morning Herald

An aside, because it’s 20-July: Why did Kennedy always seem to pronounce “decade” as “deh-KADE” instead of the usual “DECK-ade“? A Bahston chowduh thing? We’ll never know, but probably hear it every year of our lifetimes.

Best quote: Not, surprisingly, the obvious Armstrong first one, but:

“Beautiful view … Magnificent desolation.”

Buzz Aldrin

My rating: Five Stars. No quibbles here!

Apollo 11. 2019. Online. English. Todd Douglas Miller (d); Buzz Aldrin, Neil Armstrong, Cliff Charlesworth, Michael Collins, Walter Cronkite, Charles Duke, Lyndon Johnson, John F. Kennedy, Gene Kranz, Jim Lovell, Bruce McCandless, Richard Nixon, Deke Slayton (p).


Movie Night: Desk Set

["Curfew shall not ring tonight!" Katharine Hepburn and Spencer Tracy in Desk Set. A RomCom about 30somethings played by 50somethings falling in love under the benevolent gaze of EMERAC.]

4 ¾ Stars!

From 1957: «Desk Set», my personal favorite among the nine Katharine Hepburn-Spencer Tracy films. Not only is it hilarious, it has fabulous midcentury (ugh, that word) interiors, jokes only librarian/book/research nerds understand, an awesome supporting cast including EMERAC and Kate gets to get blotto and talk about the “Mexican Avenue Bus” (the Lexington Avenue Bus, that is).

The synopsis:

“A computer expert tries to prove his electronic brain can replace a television network’s research staff.” TMDb

TMDb

I’m beginning to think The MovieDb folks need better synopsis writers.

Movie Metropolis‘ James Plath «wrote this review» in 2013:

“Desk Set catches them 15 years into their affair and 10 years before Tracy’s death. You can sense their level of comfort with each other—something that actually works against them in a romantic comedy in which opposites and antagonists are supposed to eventually attract. Tracy plays Mr. Sumner, an efficiency expert hired by the Federal Broadcasting Company to find departments in which his new-fangled computers (the size of a room, by the way) might save work-hours. Hepburn is Bunny Watson, who runs the research department rather than the always-absent boss (Gig Young) with whom she’s been having a seven-year relationship … waiting for a ring and running out of patience. … “The formula is pretty basic, but it’s the characters (and the actors) that make “Desk Set” fun to watch. It might also be one of the best films to document those legendary wild office parties from the ‘50s and ‘60s, with everyone imbibing so much Christmas cheer that they all start to get a bit of a Rudolph nose. “Desk Set” weaves machines vs. humans and gender-role themes into a pleasant battle-of-the-sexes film that feels more leisurely than most gender bender scripts that come out of Hollywood. This adapted screenplay, interestingly enough, comes from the pens of Henry and Phoebe Ephron, whose daughter, Nora, would receive Oscar nominations for her own work (“Silkwood,” When Harry Met Sally…,” “Sleepless in Seattle”). The script gives Tracy and Hepburn just enough to work with, and whatever charm that “Desk Set” has comes from the two stars and their interaction with each other and a decent supporting cast. Joan Blondell is particularly funny as Bunny’s sometimes abrasive co-worker, with Dina Merrill and Sue Randall also cutting up in the research department.”

James Plath, Movie Metropolis

Joan Blondell is fabulous as always and the film marks an appearance by Sue Randall, who would later play Beaver’s teacher on Leave It to Beaver. Neva Patterson is awesomely uptight and Dina Merrill is far too glamorous to be a research assistant, but it works. The would-be pairing of Gig Young and Katharine Hepburn is a bit far-fetched, and both Kate and Spencer seemed just a little long in the tooth for a RomCom, but those are quibbles. It works and works raucously well.

A short bit about a rainstorm and a guy from legal and his wife, kids and mother-in-law is hilarious and reminds you of I Love Lucy. But the best bit is a silent one by Ida Moore, an unnamed “Old Lady” who wanders in from time-to-time, checking out a book or enjoying the spiked punch at the office Christmas party. Supposedly, she was, way back in the day, the original model for the giant sculpture which is Federal’s logo, and she has had the run of the place ever since. Ida Moore does this with such aplomb and excellence that even Kate seems to be in her shade.


Best quotes:

Besides the “Mexican Avenue Bus,” there are many great lines/bits:

Bunny Watson: “Have some tequila, Peg.”

Peg Costello: “I don’t think I should. There are 85 calories in a glass of champagne.”

Bunny Watson: “I have a little place in my neighborhood where I can get it for 65.”

Desk Set

Richard Sumner: “Hello? Santa Claus’s reindeer? Uh, why yes I can… let’s see, there’s Dopey, Sneezy, Grouchy, Happy, Sleepy, uh Rudolph, and Blitzen! You’re welcome!”

Ibid

Bunny Watson: “Just for kicks. You don’t have to answer it if you don’t want to. I mean, don’t dwell on the question, but I warn you there’s a trick in it: If six Chinamen get off a train at Las Vegas, and two of them are found floating face down in a goldfish bowl, and the only thing they can find to identify them are two telephone numbers – one, Plaza Oh-Oh-Oh-Oh-Oh, and the other, Columbus Oh-1492 – what time did the train get to Palm Springs?”

Richard Sumner: “Nine o’clock.”

Bunny Watson: “Now, would you mind telling me how you happened to get that?”

Richard Sumner: “Well, there are eleven letters in Palm Springs. You take away two Chinamen, that leaves nine.”

Bunny Watson: “You’re a sketch, Mr. Sumner.”

Richard Sumner: “You’re not so bad yourself.”

Ibid

Bunny Watson: “I don’t smoke, I only drink champagne when I’m lucky enough to get it, my hair is naturally natural, I live alone… and so do you.”

Richard Sumner: “How do you know that?”

Bunny Watson: “Because you’re wearing one brown sock and one black sock.”

Ibid

And of course my personal favorite, Curfew Shall Not a-Ring Tonight!:

Richard Sumner: [Watching the computer result on “Corfu”, which is mistaken as “curfew”] What the devil is this?

Bunny Watson: [Also having a look] It’s the poem, “Curfew Shall Not Ring Tonight.” Isn’t that nice? [reciting] “Cromwell will not come till sunset, and her lips grew strangely white… as she breathed the husky whisper, curfew must not a-ring tonight.”

Miss Warriner: [while Bunny goes on] Mr. Sumner, what can I do?

Richard Sumner: Nothing. You know you can’t interrupt her [the computer] in the middle of a sequence.

Miss Warriner: Yes, but, Mr. Sumner…

Richard Sumner: Quiet! Just listen.

Bunny Watson: “She had listened while the judges read, without a tear or sigh, at the ringing of the curfew, Basil Underwood must die.”

Richard Sumner: Uh, how long does this go on?

Bunny Watson: That old poem has about 80 stanzas to it.

Richard Sumner: Where are we now?

Bunny Watson: “She has reached the topmost ladder. O’er her hangs the great dark bell, awful is the gloom beneath her like the pathway down to hell. Lo, the ponderous tongue is swinging. ‘Tis the hour of curfew now, and the sight has chilled her bosom, stopped her breath and paled her brow.”

[telephone rings]

Bunny Watson: “Shall she let it ring? No, never! Flash her eyes with sudden light, as she springs and grasps it firmly…

[answers the phone]

Bunny Watson: …curfew shall not ring tonight!”

[audible click]

Bunny Watson: They hung up. And I know another one! “Out she swung, far out, the city seemed a speck of light…”

Ibid

My rating: 4 3/4 stars for, ironically, casting.

Desk Set. 1957. TCM. English. Walter Lang (d); Phoebe Ephron, Henry Ephron, William Marchant (w) Spencer Tracy, Katharine Hepburn, Gig Young, Joan Blondell, Dina Merrill, Sue Randall, Neva Patterson, Henry Ellerbe, Nicholas Joy, Diane Jergens, Merry Anders, Ida Moore, Rachel Stephens, Don Porter, Sammy Ogg (p). Cyril J. Mockridge (m). Leon Shamroy (c).


Movie Night: Hot Millions


[How veddy British! Peter Ustinov and Maggie Smith in Hot Millions. Also, how veddy Sixties!]

4 1/2 Stars!

From 1968: «Hot Millions». Some fun British fun from Peter Ustinov and Maggie Smith.

True story. The very first time I ever went to a theater and saw a movie was in February 1968 at the Plains Theater in Roswell, NM. Which is sadly now the “International UFO Museum and Research Center” 1947 alien landing tourist trap and that’s upsetting and rather terrifying. But upsetting and terrifying is what my first movie experience was; my four-year-old self bawled all the way through it and I think my sister had to take me to the lobby.

The list of things that scared me was long in those days; well into my teens, I was pretty much scared of everything. No reason; I had a good childhood, wasn’t abused or anything. But movie theaters, especially high ceilings and balconies, terrified me. So did fire engines, police cars, motorcycles, Walt Disney, sirens, fireworks, Carlsbad Caverns, roller coasters, teachers and teenagers.

But what was the most terrifying of all was the first movie in a theater: Blackbeard’s Ghost, starring Peter Ustinov. It was a funny kid’s Disney movie, typical of the time, with Dean Jones, Suzanne Pleshette, Elsa Lanchester, Elliot Reid, Richard Deacon and Michael Conrad, in his pre-Hill Street Blues days.

And the worst scene was Ustinov as Blackbeard, riding a police motorcycle with siren blaring, invisible to everyone except Dean Jones. I really bawled at that. Even if it was about the funniest one in the movie. Sirens, invisible pirates, a huge theater, yeesh.

At any rate, Hot Millions is what we’re actually talking about here.

The synopsis:

“A con-artist (Peter Ustinov) gains employment at an insurance company in order to embezzle money by re-programming their “new” wonder computer.”

TMDb

It’s a lot more fun than it sounds, although «Roger Ebert’s impression» is probably spot on as usual:

“Today I would like to bow to another critic for my opening thought. Writing about Hot Millions in the New Republic, Stanley Kauffmann observed that it didn’t make him laugh out loud, but at the end of the film he realized he’d been smiling for nearly two hours. That says it very well: Hot Millions, which is not a hilarious comedy, is a pleasant, warm one.

“The warmth comes because the characters are developed rather more than is usually the case in movies about (a) embezzlers or (b) eccentrics. The British comedy tradition accounts for these two genres quite completely; eccentrics are usually Terry-Thomas whistling through the gap in his teeth, and embezzlers usually try for a sort of efficient anonymity.

“This is not, I suppose, a great comedy. But Ustinov and Miss Smith act with a sort of natural appeal, and there are moments you will enjoy very much. Especially recommended for computer programmers, their accomplices and their molls.”

Roger Ebert

I personally don’t need my sides to split when I watch a “comedy,” but that’s just me. There’s a lot more than just smiles to recommend this one–ts droll English humor, its glimpse at fashions and designs and trends of 1968, the fantastic acting of everyone, including the performance of Bob Newhart, whose movie outings are often forgotten, the sarcastic wit and the satire–it’s a long list and will need a second viewing to get it all.


Best quotes:

Carlton J. Klemper [talking about his corporation taking over the whole world]: “Yes sir! When the time comes, I may even put in a bid for all of England.”

Marcus Pendleton: }Hadn’t you better wait till it’s solvent?”

Hot Millions

Prison Governor: “You should be in politics, not in prison.”

Marcus Pendleton: “Well, in a way, I was, wasn’t I? When they caught me embezzling at the Conservative Central Office.”

Prison Governor: “Yes, I could never understand why you chose that of all places.”

Marcus Pendleton: [after a pause, says sternly] “I’m a Liberal.”

Prison Governor: “Oh.”

Elderly Gentleman card player: [Irritated by all the talk] “If this keeps up, I shall violate a lifetime principle and play bridge with women.”

Patty: “What does he want?”

Marcus: “Assets.”

Patty: “What are they?”

Marcus: “Young female donkeys.”


4 1/2 Stars!

Hot Millions. 1968. TCM. English. Eric Till (d). Peter Ustinov, Ira Wallach (w). Peter Ustinov, Maggie Smith, Karl Malden, Bob Newhart, Robert Morley, Cesar Romero, Peter Jones, Ann Lancaster, Patsy Crowther. (p). Laurie Johnson (m). Kenneth Higgins (c).


On Crime and Punishment This Fourth of July

As the gigantic Fascist Cult of Nationalistic Personality Display takes over formerly democratic, non-partisan American space/time in Washington DC tomorrow, it’s worth looking back at some of the (quickly forgotten) roots of the democracy. « This one is about Marquis Cesare Beccaria radical ideas on crime and punishmen».

“‘On Crimes and Punishments‘ was the first attempt to apply principles of political economy to the practice of punishment so as to humanise and rationalise the use of coercion by the state. After all, arbitrary and cruel punishment was the most immediate instrument that the state had to terrorise the people into submission, so as to avoid rebellion against the hierarchical structure of the society. The problem that Beccaria faced, then, was the simple fact that the elite had complete control of the law, which was a family business and a highly esoteric language that only the initiated could master. The path leading to the rational reform of penal law required a fundamental philosophical rethinking of the role and place of law in society.”

Aeon

«The full treatise has been translated for English and is available here». It’s well worth a challenging read-and-think on everyone’s part at this particular moment in the country and society.

[Image: «Ben Jennings in the Guardian» He’s fabulous! So is the Guardian! Go read them (and donate if you can) now!]

Pocket Guide to France, or, Onward to Parisian Mademoiselles

As they moved off the beaches after 6-Jun-44, U.S. service personnel read this. Here are some particularly important excerpts.

Pocket Guide to France
Prepared by Army Information Branch, Army Services Forces, Information and Education Division, United States Army
War and Navy Departments, Washington, D.C.
1944

“Why You’re Going to France
“You are about to play a personal part in pushing the Germans out of France. Whatever part you take—rifleman, hospital orderly, mechanic, pilot, clerk, gunner, truck driver—you will be an essential factor in a great effort which will have two results: first, France will be liberated from the Nazi mob and the Allied armies will be that much nearer Virtory, and second, the enemy will be deprived of coal, steel, manpower, machinery, food, bases, seacoast and a long list of other essentials which have enabled him to carry on the war at the expense of the French.
“The Allied offensive you are taking part in is based upon a hard-boiled fact. It’s this. We democracies aren’t just doing favors in fighting for each other when history gets tough. We’re all in the same boat. Take a look around you as you move into France and you’ll see what the Nazis to to a democracy when they can get it down by itself.”

“A Few Pages of French History
“Not only French ideas but French guns helped us to become a nation. Don’t forget that liberty loving Lafayette and his friends risked their lives and fortunes to come to the aid of General George Washington at a moment in our opening history when nearly all the world was against us. In the War for Independence which our ragged army was fighting, every man and each bullet counted. Frenchmen gave us their arms and their blood when they counted most. Some 45,000 Frenchmen crossed the Atlantic to help us. They came in cramped little ships of two or three hundred tons requiring two months or more for the crossing. We had no military engineers; French engineers designed and built our fortifications. We had little money; the French lent us over six million dollars and gave us over three million more.
“In the same fighting spirit we acted as France’s alliy in 1917 and 1918 when our A.E.F. went into action. In that war, France, which is about a fourteenth of our size, lost nearly eighteen times more men than we did, fought twice as long and had an eighth of her country devastated.”

“In Parting
“We are friends of the French and they are friends of ours.
“The Germans are our enemies and we are theirs.
“Some of the secret agents who have been spying on the French will no doubt remain to spy on you. Keep a close mouth. No bragging about anything.
‘No belittling either. Be generous; it won’t hurt.
“Eat what is given you in your own unit. Don’t go foraging among the French. They can’t afford it.
‘Boil all drinking water unless it has been approved by a Medical Officer.
‘You are a member of the best dressed, best fed, best equipped liberating Army now on earth. You are going in among the people of a former Ally of your country. They are still your kind of people who happen to speak democracy in a different language. Americans among Frenchmen, let us remember our likenesses, not our differences. The Nazi slogan for destroying us both was “Divide and Conquer.” Our American answer is “In Union There Is Strength.””

Pocket Guide to France, US Army

“No bragging or belittling.” “Remember our likenesses, not our differences.” “In Union There is Strength.”

How refreshing.

Beginning of the End Day


[Yes, the pics are graphic. Look at them. Own them. Be glad they’re in black and white.]


Dead horses on a French street. Above: Dead American on a French Beach.| National Archives
Dead Americans on a Belgian street. | National Archives
Dead Germans on a French Street. | National Archives
Dead humans at K.L. Mulhausen. | National Archives
Dead US Coast Guard sailor on the USS Menges. Every thing suffers in war. | National Archives

As the 75th anniversary of the launch of Overlord arrives, it’s important to remember that it was just part of a very big picture, the beginning of the end of World War II. Up until that point, it had been a very long, very hard slog. But afterwards you could practically see directly from the beaches of Utah, Omaha, Sword, Juno and Gold on 6-Jun-1944 to the deck of the USS Missouri in Tokyo Bay on 2-Sep-1945. The war now had its expiration date.

No one cheered harder for the faint glimpse of the end than P.o.W.s in Japan, Korea and China. A few of those had survived four years of torture, starvation, beatings, illnesses such as beri-beri and even being bombarded by their own Army Air Force; they were the survivors of Wake Island, which resisted overwhelming Japanese invasion forces between 8-Dec and 23-Dec-1941. Had it not been for Overlord and Manhattan, those men would have died. Instead, they beat the odds thanks to Truman and Ike, Normandy and Trinity. (To quote directly: “Thank God for Harry Truman and thank God for the atom bomb!”)

I always think back to 1989, when as a newspaper reporter, I was privileged to meet just 11 of the Wake Island survivors, who gathered fairly often for small-scale reunions. That year, while working as a reporter who occasionally wrote some features about WWII vets, I got a call from a friend of mine, Marie Smith, (who had kept me sane during my cursed four months while we worked at <shudder> Wal-Mart), to tell me about an upcoming gathering of Wake Island survivors and their wives at the house of her and her husband John. These people were at that point closer than family, bound forever by what happened on a tiny atoll in the middle of a vast ocean.

The article below is what I wrote at the time, but there are two caveats: First, I apparently misspelled some names. I’ve corrected this at the bottom of this post with their bios. And second, this represents nowhere near everything I was told that day. I felt like an eavesdropper, someone who could watch and hear them, but who was so far removed from their time and experience that comprehension was impossible.

In 2016, the daughter of Tony Schawang of Falls City, NE, the man into whose soybeans Braniff 250 fell in 1966, told me an anecdote about her father, who landed on Omaha Beach 75 years ago. She said she once asked him about that day and he said, “Girlie, you don’t need to know anything about that kind of thing.” He was right.

A photographer took Tony’s picture the morning after the Braniff crash. He looks shell-shocked. I could only imagine the horror of seeing 42 dead people and a crashed airliner fall to earth in front of you. But after finding out that Tony had already seen way worse in 1944 made that picture clearer, more understandable. That’s a thousand-yard stare he has in that 1966 photo. I will now always wonder if he was seeing the wreckage of Braniff 250 … or the wreckage of Omaha Beach. Or a bloody mashing together of both. (As much as I respect Mr. Schawang, as the photos above attest, I disagree. We should always know, and see, the consequences of war.)

Now that we’re older, we can understand, and value, more of the meaning and reality of all this, but those Marines and their wives (and Tony Schawang) are now gone. We can’t have conversations with them just because we’re older and wiser and can now listen to them. They’re lost to history … and we’re much the poorer for it.

What do I now know? Don’t put D-Day in service to American (or British) exceptionalism or nationalism or patriotism, and don’t “thank” a veteran for his/her “service.” Man up, grow up and face up to the reality that no one wanted to “serve” us on the cold Normandy sand. They wanted to simply survive. The hard truth is that D-Day (and Wake Island) represented a failure. A failure to confront, contain and eliminate human anger, violence, and hatred in service to nationalistic ideologies in Japan, Germany and Italy. The failure to do that consumed, between 1914 and 1945 upwards of 150 million lives around the world. WWII soldiers HAD to “serve” at Omaha Beach because WE failed to protect THEM.

Instead of “Thank you for your service,” try, “We’re sorry you had to expend your blood, sweat, tears and toil to clean up our monumental failings.” Every time you meet one of the dwindling numbers of WWII veterans (and those of all the other magnificent little American wars we’ve fallen into), keep your mouth shut and your brain focused on peace. These “Greatest Generation” folks answered the bell and won the fight. We might not be as blessed next time.


Here are the original two Wake Island articles:

Memory Of WWII Still Vivid For Vets
(Part I of the Wake Island Story)

‘Considering the power accumulated for the invastion of Wake Island and the meager forces of the defenders, it was one of the most humiliating defeats the Japanese Navy ever suffered.’
—Masatake Okumiya, commander, Japanese Imperial Navy

By Steve Pollock
The Duncan (OK) Banner)
Sunday, August 13, 1989

MARLOW – It all came back to them this weekend – the stark terror of facing death while kneeling naked on a sandy beach the stinking hold of the prison ship; the brutality of the Japanese; the obliteration of youthful innocence.

They fought and bled for a two-and-a-half-square-mile horseshoe of an atoll in the midPacific called Wake Island. They were United States Marines and they did their duty.

There were 10 [sic] men of that Wake Island garrison at the Marlow home of John Smith this weekend. With Smith, they talked, drank and smoked their way through the weekend, laughter masking deeper emotions of brotherhood, camaraderie and painful memories.

In the Smith kitchen, their wives continued the latest of an ongoing series of therapy sessions, attempting to exorcise some of the demons of the last 44 years of their lives with the hometown heroes.


In 1941, with war inevitable, the U.S. government began construction of a series of defensive Pacific Ocean outposts, including Wake, designed to protect against Japanese aggression. They were a little late.

Little Wake atoll, with some 1,616 Marines and civilians huddled on its three islands, was attacked at noon, Dec. 8, 1941, several hours after Pearl Harbor.

The Marines knew war was possible, but “didn’t think the little brown guys had the guts to hit us,” one of them said.


Jess Nowlin’s hearing aid battery is getting a little weak as the afternoon wears on, but his memory and sense of humor are still sharp.

He said the Marines were going about their business when they heard the drone of approaching aircraft.

“We thought they were B- 17’s out of Pearl coming in to refuel. They weren’t. They broke out of a cloud bank at about 1,800 feet, bomb bay doors open. They tore us up,” Nowlin said.

The Japanese attacked from sea and air, but the Marines held out until Dec. 23; only 400 remained to defend 21 miles of shoreline from 25 warships and a fleet of aircraft. Surrender was inevitable.

Through a haze of cigarette smoke, Robert Mac Brown, a veteran not only of World War II, but of Korea and three tours of duty in Vietnam, remembers the post-surrender scene on the beach.

“We were stripped naked and they hog-tied us with our own telephone wire. A squall came through, but lasted only about 10 to 15 minutes. One of my clearest memories of the whole operation is of watching the water run down the bare back of the guy in front of me,” Brown said.

Japanese soldiers lay on the sand in front of the prisoners, swinging machine guns back and forth. The click of rounds being loaded into chambers was ominous. Fingers tightened on triggers.

“There was an argument between the landing force commander and a guy with the fleet. They screamed at each other in Japanese, arguing about whether to kill us or not,” Brown said.

The Marines made their peace and prepared to die.

The argument to make prisoners of the Marines and civilians won the day. The prisoners were allowed to grab what clothing they could to cover themselves.

And then a living hell began which would only be ended by the birth of atomic stars over southern Japan nearly four years later.


Taken off the island on small ships, the prisoners were forced to climb up the side of the Nittamaru, a former cruise ship pitching about on rough seas.

As the men walked back through the ship and down to the hold, the crew beat them with bamboo sticks, in a gauntlet of brutality.

Packed in the stinking hold, several hundred Marines and civilians had only one five-gallon bucket per deck to hold human waste. For the 14 days of the Nittamaru’s passage from Wake to Shanghai, they could barely move.

The cold of Shanghai was felt through their thin tropical khaki. It was January 1942. Robert Brown was to have married his girl on January 12. She married someone else.

“I thought you were dead,” she later told him.


From Shanghai, through Nanking, Peking, Manchuria and Pusan, Korea, the group journeyed in packed cattle cars to their eventual destination, a coal mine on the Japanese island of Hokkaido, where they dug in the shafts alongside third-generation Korean slave labor.

They were slaves themselves until August 1945.

“Thank God for Harry S. Truman and the atomic bomb,” several survivors said, as the others echoed that prayer.

They went home to heroes’ welcomes, but the public ”’never fully appreciated or understood what we did,” Nowlin said.


They’re much older now — in their 60’s and 70’s — and it was a family reunion of sorts; they claim to be closer than brothers. They don’t miss their “get-togethers” for anything in the world; Robert Haidinger traveled from San Diego with a long chest incision after recently undergoing a major operation.

As they gazed through the Oklahoma sunshine, they didn’t see the cow bam beyond the lovegrass rippling in the August breeze; it was a Japanese destroyer was steaming close in to end their lives all over again.

“It was awful, terrible; I wouldn’t have missed it for anything; you couldn’t get me to do it again for a billion dollars,” Nowlin summed it up.


The men: Tony Obre [sic], Fallbrook, Calif; Robert Haidinger, San Diego, Calif.; Robert Murphy, Thermopolis, Wyo.; Dale Milburn [sic], Santa Rosa, Calif.; George McDaniels [sic], Dallas, Texas; Jess Nowlin, Bonham, Texas; Jack Cook, Golden, Colo.; Robert Mac Brown, Phoenix, Ariz.; Jack Williamson, Lawton; Paul Cooper, Marlow, and John Smith, Marlow.

The cost of the defense of Wake Island, from Dec. 8 to 23, 1941: Americans: 46 Marines, 47 civilians, three sailors and 11 airplanes; Japanese: 5,700 men, 11 ships and 29 airplanes.


Wives Cope With Husband’s Memories
(Part II of the Wake Island Story)

By Steve Pollock
The Duncan (OK) Banner
Sunday, August 13, 1989

MARLOW – It all came back to them this weekend – fists lashing out during nightmares, the traumatic memories, the attempts to catch up on lost time.

The wives of 10 Wake Island survivors met in Marlow with their husbands this weekend for reasons of their own.

“We go through therapy every time we get together. We help each other with problems,” they said.

The wives: Florence Haidinger, Maxine Murphy, Opal Milburn [sic], Irene McDaniels [sic], Sarah Nowlin, Betty Cook, Millie Brown, Jo Williamson, Juanita Cooper and Marie Smith.


They did their own bit during World War II: The Red Cross, an airplane factory in Detroit, North American Aviation in El Segundo, Calif, Douglas in Los Angeles, the Kress dime store.

They married their men after the long national nightmare was finished, and their lives became entwined by one event: the Japanese attack on Wake Island Dec. 8-23,1941.

Since the first reunion of Wake survivors and their spouses in 1953, these women have been like sisters.

“We love each other, we’re closer than family,” Jo Williamson said.

In Marie Smith’s kitchen, therapy was doled out in a catharsis of talk little different from that of the men gathered on the patio. Talk is said to be good for the soul; these women heal great tears in theirs every time they see each other.

According to the wives, the men came home from the war, married, had children and tried to pick up where they left off.

They wanted to take care of their families and try to catch up. They were robbed of the fun times of their late teens and early 20’s, the women unanimously agree.

“They have also lived every day as if it were their last,” Sarah Nowlin said.


The men needed some help after their harrowing battle and brutal three -and-a-half-year captivity.

According to the women, doctors never realized therapy was in order: “They never got anything.”

One man lashed out with his fists during nightmares; after a few pops, his wife learned to leave the room. Another would slide out of bed and assume a rigid posture on the floor, arms and legs folded. Yet they have all been gentle men.

“I’ve never seen my husband harm or even verbally abuse anyone,” a wife said Reunions such as this help the men and women deal with life as they age. The youths of 16-22 are now grandfathers and grandmothers in their 60’s and 70’s.


Life today is a bit baffling to them.

Extremely proud of their men, the women have no patience with draft dodgers, flag burners, Japanese cars or foreign ownership of America.

They didn’t agree with the Vietnam war policy, but duty to country should have come first, they said.

“I didn’t want my son to go to Vietnam, but I would have been ashamed of him if he hadn’t,” one said.

The issue of flag burning stirs violent protest and emotion in the group: “Made in America”’ labels are on everything they buy.

And the younger generation does not enjoy the women’s confidence: “I don’t think they could do what we were all called on to do,” they agreed.

And as Marlow afternoon shadows grew longer, the women of Wake continued to cleanse their souls.


Updated bios (confirmed via findagrave.com):

• Cpl. Robert Mac Brown, USMC, Phoenix, AZ.
Birth: 1-Feb-1918.
Death: 21-Sep-2002 (age 84).
Buried: Arlington National Cemetery, Arlington, VA.

• Sgt. Jack Beasom Cook, USMC, Golden, CO.
Birth: 18-Jun-1918, Okmulgee, OK.
Death: 20-Nov-1999 (age 81).
Buried: Fort Logan National Cemetery, Denver, CO.

• Sgt. Paul Carlton Cooper, USMC, Marlow, OK.
Birth: 30-Oct-1918, Richardson, TX.
Death: 18-Sep-1994 (age 75), Marlow, OK.
Buried: Marlow Cemetery, Marlow, OK.

• Cpl. Robert Fernand Haidinger, USMC, San Diego, CA.
Birth: 24-Nov-1918, Chicago, IL.
Death: 7-Mar-2014 (age 95).
Buried: Fort Rosecrans National Cemetery, San Diego, CA.

• PFC Robert Bruce “Bob” Murphy, USMC, Thermopolis, WY.
Birth: 5-Oct-1920, Thermopolis, WY.
Death: 5-Feb-2007 (age 86), Hot Springs County, WY.
Buried: Monument Hill Cemetery, Thermopolis, WY.

• Pvt. Ival Dale Milbourn, USMC, Phoenix, AZ.
Birth: 23-Jul-1922, Saint Joseph, MO.
Death: 18-Dec-2001 (age 79), Mesa, AZ.
Buried: Skylawn Memorial Park, San Mateo, CA.

• PFC George Washington “Dub” McDaniel, Dallas, TX.
Birth: 23-Dec-1915, Stigler, OK.
Death: 14-Jul-1993 (age 77).
Buried: Stigler Cemetery, Stigler, OK.

• PFC Jesse Elmer Nowlin, USMC, Bonham, TX.
Birth: 9-Dec-1915, Leonard, TX.
Death: 13-Sep-1990 (age 74), Bonham, TX.
Buried: Willow Wild Cemetery, Bonham, TX.

• MSgt. Tony Theodule Oubre, USMC (ret.), Fallbrook, CA.
Birth: 17-Aug-1919, Loreauville, Iberia Parish, LA.
Death: 7-Feb-2005 (age 85).
Buried: Riverside National Cemetery, Riverside, CA.

• Pvt. John Clarence Smith, Marlow, OK.
Birth: 11-Mar-1918.
Death: 19-Jan-1994 (age 75).
Buried: Marlow Cemetery, Marlow, OK.

• Sgt. Jack Russell “Rusty” Williamson, Jr., USMC, Lawton, OK.
Birth: 26-Jul-1919, Lawton, OK.
Death: 12-Jul-1996 (age 76).
Buried: Highland Cemetery, Lawton, OK.


The wives (I couldn’t confirm the details for all of them):

• Juanita Belle Sehested Cooper
Birth: 5-Dec-1920, Marlow, OK.
Death: 28-Jul-2001 (age 80), Beaverton, OR.
Buried: Marlow Cemetery, Marlow, OK.

• Florence A Haidinger
Birth: 31-Dec-1934.
Death: 26-Sep-2014 (age 79).
Buried: Fort Rosecrans National Cemetery, San Diego, CA.

• Irene McDaniel
Birth: 24-Nov-1918.
Death: 7-Mar-2004 (age 85).
Buried: Stigler Cemetery, Stigler, OK.

• Maxine Gertrude Gwynn Murphy
Birth: 10-Nov-1923.
Death: 4-Mar-1996 (age 72).
Buried: Monument Hill Cemetery, Thermopolis, WY.

• Marie A. Smith
Birth: 11-Feb-1929.
Death: 16-Nov-1997 (age 68).
Buried: Marlow Cemetery, Marlow, OK.

• Emily Jo Lane Williamson
Birth: 30-Mar-1924, Texas.
Death: 3-Jun-2007 (age 83), Comanche County, OK.
Buried: Sunset Memorial Gardens, Lawton, OK.

Paranoia, Fear, Terror and Facebook, et al.

Insane levels of fear and control and succumbing to terror. We are a nation which is perhaps the most fearful of all countries. And someone warned us about giving in to terror, especially that orchestrated by demagogues and news media personalities. Hmmmmmm.

WASHINGTON (AP) — The State Department is now requiring nearly all applicants for U.S. visas to submit their social media usernames, previous email addresses and phone numbers. It’s a vast expansion of the Trump administration’s enhanced screening of potential immigrants and visitors.

In a move that’s just taken effect after approval of the revised application forms, the department says it has updated its immigrant and nonimmigrant visa forms to request the additional information, including “social media identifiers,” from almost all U.S. applicants.

The change, which was proposed in March 2018, is expected to affect about 15 million foreigners who apply for visas to enter the United States each year.

Associated Press

Yes, we’re so scared we’re insisting on a lot more:

In addition to their social media histories, visa applicants are now asked for five years of previously used telephone numbers, email addresses, international travel and deportation status, as well as whether any family members have been involved in terrorist activities.

Associated Press
Franklin Roosevelt
Franklin Roosevelt

Just a few years ago, our leadership was saying:

So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself—nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance.

Franklin D. Roosevelt, 4-Mar-33

How refreshing. And he had Hitler, Mussolini, Tojo, polio and the imminent deaths of 100 million human beings to worry about. We are no longer made of sterner stuff. We freak out over Twits (and their Twitterings) and have palpitations over words and clutch our pearls if someone is transgressive about … well anything.

Grow a spine Democrats! Listen to the dead man and stop fearing! Send tis administration packing by using the ballot box or Articles of Impeachment! Now!

Corporate Power

Is corporate power absolute yet? Or just overwhelming? Maybe … it’s just … mestastizing? There’s a fascinating documentary over at Deutsche Welle:

“The Wallonia region in Belgium triggered a Europe-wide crisis in the fall of 2016 by refusing to sign the CETA free trade agreement with Canada, as millions of EU citizens took to the streets to protest against the agreement. The CETA negotiations had turned the spotlight on the system of private arbitration courts. … Many states whose sovereignty is threatened are now finally waking up to the danger. But is it perhaps already too late to do anything about the seemingly over-mighty corporations?”

Deutsche Welle

Where Are the Bodies? We Have an App for That.

Find the human (not migrants, not immigrants, not aliens, certainly not illegals. Just human. Human.) bodies. There are plenty to look for all over the Arizona Open GIS Initiative for Deceased Migrants map:

“Since January of 2001, over 3,000 undocumented migrants have died within the Pima County OME jurisdiction. The information presented is stark and perhaps unsettling. However, both Humane Borders and the Pima County OME believe that the availability of this information will contribute to fulfilling our common vision.”

AOGISIDM

No Slope, No False Equivalency. Just the Same. Damn. Thing.

Immoral, indecent, inhumane. There is no slippery slope; this country is on a well-trodden path dating back at least to 1492. There is also no false equivalency. We are running concentration camps and human beings are dying. [Full Stop]

Details are in the OIG report to DHS. Full report is here.

The Wages of Sin, America, is …

And then Primo Levi pegged the inevitable results of such greed, hypocrisy, selfishness … and our addiction to those three destructive forces:

“Auschwitz is outside of us, but it is all around us, in the air. The plague has died away, but the infection still lingers and it would be foolish to deny it. Rejection of human solidarity, obtuse and cynical indifference to the suffering of others, abdication of the intellect and of moral sense to the principle of authority, and above all, at the root of everything, a sweeping tide of cowardice, a colossal cowardice which masks itself as warring virtue, love of country and faith in an idea.”

Primo Levi

And the college students of the White Rose in Munich, 1942, in a pamphlet that would lead to their executions, also outlined how it’s impossible to have rational, intellectual discourse with those who have devoted themselves to irrational, anti-intellectual rot:

“It is impossible to engage in intellectual discourse with National Socialist Philosophy. For if there were such an entity, one would have to try by means of analysis and discussion either to prove its validity or to combat it. In actuality we face a [different] situation. At its very inception this movement depended on the deception and betrayal of one’s fellow man.”

The White Rose Society, 1942

No. You cannot argue with Fascists or Nazis or ignorant nationalists. Rational arguments won’t win over irrational people.

Sieg …

John Fugelsang on Twitter

Amen to John Fugelsang’s tweet. Also, it could have been written: “DEEPLY OFFENDED that black football players refuse to stand for the National Anthem bc freedom is all about mandatory loyalty posturing.”

This has been a problem for decades in this country, Jeebus knows.

Plus … this response is fabulous:

As an aside, here’s a great photo of the way students were forced to salute the American flag back in the days when America was great:

[Wikipedia Commons]

It’s worth noting some text from the decision written by Justice Robert H. Jackson (who would go on to prosecute Nazis at the Nuremberg trials—irony!) in West Virginia v. Barnette, the 1943 decision in which the Supreme Court said, quelle surprise, we cannot be forced to “pledge” “allegiance” to the U.S. flag:

“The very purpose of a Bill of Rights was to withdraw certain subjects from the vicissitudes of political controversy, to place them beyond the reach of majorities and officials and to establish them as legal principles to be applied by the courts. One’s right to life, liberty, and property, to free speech, a free press, freedom of worship and assembly, and other fundamental rights may not be submitted to vote; they depend on the outcome of no elections. …

“The case is made difficult not because the principles of its decision are obscure but because the flag involved is our own. Nevertheless, we apply the limitations of the Constitution with no fear that freedom to be intellectually and spiritually diverse or even contrary will disintegrate the social organization. To believe that patriotism will not flourish if patriotic ceremonies are voluntary and spontaneous instead of a compulsory routine is to make an unflattering estimate of the appeal of our institutions to free minds. We can have intellectual individualism and the rich cultural diversities that we owe to exceptional minds only at the price of occasional eccentricity and abnormal attitudes. When they are so harmless to others or to the State as those we deal with here, the price is not too great. But freedom to differ is not limited to things that do not matter much. That would be a mere shadow of freedom. The test of its substance is the right to differ as to things that touch the heart of the existing order.

“If there is any fixed star in our constitutional constellation, it is that no official, high or petty, can prescribe what shall be orthodox in politics, nationalism, religion, or other matters of opinion or force citizens to confess by word or act their faith therein. If there are any circumstances which permit an exception, they do not now occur to us.”

Justice Robert H. Jackson

I would never presume to improve on anything Justice Jackson wrote, so …

—30—

[ Photo at top by Alex Martinez on Unsplash ]

11:00 | 11-November-1918

A preface: I became interested in World War One history about 40 years ago, reading Elleston Trevor’s “Bury Him Among Kings,” a novel (undoubtedly my favorite of all time) with a title which referenced an epitaph mentioned below. From around high school on, I’ve read and studied and absorbed (and suffered through college courses) all I could about German history from 1815 to 1945. It’s endlessly fascinating (and disturbingly prophetic) study.

But it’s never really packed a personal punch. While many in our extended families fought in the Civil War, most were too young or too old for the world wars. One exception was our Uncle Louie Webb, who served in World War Two (and how I wish I could ask him about it!) and our Grandpa Pollock’s oldest brother Mearon Edgar, who was born in 1894 and is our father’s namesake. Edgar (as Dad called him) was a World War One veteran and he placed a small ad in the American Legion Magazine of August, 1937: “800th Aero Repair Squadron—Proposed reunion, Los Angeles, Calif., late summer or fall. Mearon E. Pollock, 306 N. Maple dr., Beverly Hills, Calif.” He was apparently the principal organizer of such squadron reunions up until World War Two. After the first war, he and his wife moved to Beverly Hills from Oklahoma. He was a barber with a shop on Wilshire Boulevard; she was a Beverly Hills public school teacher. They later farmed in Oregon and California, where he died around 1977. Interesting stuff, albeit a bit dry. The history of war should never be dry and dusty and divorced from our emotions. It should be as war itself: visceral, devastating, obscene to sight, offensive to smell, deafening to hearing. Hence the following post.

100 years ago today, at the eleventh hour of the eleventh day of the eleventh month of 1918, the guns along the 440-mile line stretching from Switzerland to the North Sea fell silent. The war started 1 August 1914 just as German Chancellor Otto von Bismark once famously predicted around 1884, by “some damned fool thing in the Balkans;” in this case, the assassination of Austrian Archduke Franz Ferdinand in Sarajevo, a city of agony in the 20th century). But on 11 November 1918, it was finally “all quiet on the Western Front.”

We remember all this today because as Polish poet Czesław Miłosz wrote, “The living owe it to those who no longer can speak to tell their story for them.”

But sometimes, the living forget those who can no longer speak and instead harness them in service of the political or the feel-good, using their severed limbs to pat ourselves on our collective backs. This rather florid inscription on the Tomb of the Unknown Warrior in Westminster Abbey, London, is an example of how remembrance can often be lofty, nebulous, nameless and faceless and sanitized and ultimately divorced from the nightmare reality of the war and how it was experienced by the men and women caught in it:

“Beneath this stone rests the body of a British warrior, unknown by name or rank, brought from France to lie among the most illustrious of the land and buried here on Armistice Day, 11 Nov: 1920, in the presence of His Majesty King George V, his Ministers of State, the Chiefs of his forces and a vast concourse of the nation. Thus are commemorated the many multitudes who during the Great War of 1914 – 1918 gave the most that Man can give, life itself; for God, for King and country, for loved ones, home and empire, for the sacred cause of justice and the freedom of the world. They buried him among the kings because he had done good toward God and toward his house.”

That was the official, sanitized, God-and-Country pablum version of the war. It’s fine as it goes, but the soldiers of the line saw things quite differently, and epitaphs like these tend to mute them, hide them from sight, rob them of existence.

So what’s a better way to remember then? How about starting with accounts left to us such as the prose and poetry of two British officers and a German soldier. It is their raw experiences which we should remember today, not “George V and his Ministers of State and the Chiefs of his forces” (who botched the entire affair so badly that it became an unprecedented slaughter), nor leaders gathered today at Compiegne, site of the signing of Armistice, nor the American leader shamefully cowering in his hotel in Paris, apparently afraid of rain.

Wrote British Captain Siegfried Sassoon in one of his best, sharpest, brightest harpooning poems of the “Chiefs of His Majesty’s forces”:

The General

“‘Good-morning, good-morning!’ the General said
When we met him last week on our way to the line.
Now the soldiers he smiled at are most of ’em dead,
And we’re cursing his staff for incompetent swine.
‘He’s a cheery old card,’ grunted Harry to Jack
As they slogged up to Arras with rifle and pack.

“But he did for them both by his plan of attack.”

Siegfried Sassoon

British Second Lieutenant Wilfred Owen, who was killed in action just one week before the Armistice was signed, summed up his generation’s experience and wondered who would mourn them in extremely powerful poems:

Anthem for Doomed Youth

“What passing-bells for these who die as cattle?
— Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

“What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.”

Wilfrid Owen

The German Erich Maria Remarque, in “All Quiet on the Western Front,” a book which was later burned by Hitler, added his own voice in prose:

“I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.”

“A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, a single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture chambers in their hundreds of thousands. A hospital alone shows what war is.”

Erich Maria Remarque

Finally, it’s worth reading what is probably Owens’ finest poem:

Dulce et Decorum Est

“Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

“Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.

“In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.

“If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: ‘Dulce et decorum est
Pro patria mori.'”

Wilfrid Owen

The old lie: “Dulce et decorum est pro patria mori” roughly translates to “It is sweet and honorable to die for one’s country.” As Owen wrote, dying like cattle in warfare conducted in the cause of nationalism or patriotism is never sweet. It is an obscenity. Just see the attached photos. You should not be squeamish; stare at them and memorize them. If you vote for war, support its waging or cheer for capital punishment, you should be able to look unflinchingly at the black and white images of the consequences of bloodthirst.)

As violent forces of chauvinistic nationalism rise around us, we would do well to remember not Kings and generals, but the experience and judgement of the many Owens, Sassoons and Remarques as the central lesson of this eleventh hour of the eleventh day of the eleventh month of 2018.

[Photo: First World War infantrymen whose faces had been mutilated in trench warfare. They were known as the “gueules cassées”.]

Every Building

I’ve always loved maps and could spend hours poring over them. From the old gas station maps at my father’s Malco station in Roswell to Google Earth, there’s always something fascinating in maps and data and all that.

The New York Times recently posted«a map of every building in America» and it’s worth many hours of your time. Awesome stuff! Have a look.

“On this page you will find maps showing almost every building in the United States. Why did we make such a thing? We did it as an opportunity for you to connect with the country’s cities and explore them in detail. To find the familiar, and to discover the unfamiliar. So … look. Every black speck on the map below is a building, reflecting the built legacy of the United States.”

Golden stuff for map/data nerds like me.

Squeezed to Death

If you have to evacuate an airliner in a hurry, can you get out of your extremely cramped seat and row fast enough? Probably not. And then you have to dodge all the idiots trying to save all their luggage and personal electronic devices at glacial paces.

But it’s the ever-shrinking seat and row size that will probably be the deadliest problem if there’s a problem with the over-stuffed aluminum tube in which you’re squeezed because most of the country is too damn cheap to pay more than $29 to get from Dubuque to Miami. « At least one editorial » (which was probably ignored and forgotten faster than that flight took to get from Dubuque to Miami) sounded an alarm:

“Given how passengers have grown in inverse proportion to the spaciousness of airliner seats, anything like ‘expeditious’ evacuation of an entire airliner seems doubtful. … Under such constraints, can today’s jets be evacuated in the 90 seconds mandated by the F.A.A.? Not according to passenger advocacy groups like Flyers Rights, which has repeatedly and unsuccessfully petitioned the F.A.A. to use its rule-making authority to stop airlines from shrinking seats and passenger space. Not according to Representatives Peter DeFazio, Democrat of Oregon, and Rick Larsen, Democrat of Washington, who have asked the Transportation Department’s inspector general to investigate F.A.A. safety standards that haven’t been updated in decades. Incredibly, it will require an act of Congress to ensure that the F.A.A. does something, because the agency has denied that seat sizes and body mass index are factors in emergencies. The agency has even denied that it has the authority to regulate airliner seat size.”

The New York Times

As always in this country, it will take a massive tragedy and lots of unnecessarily burned/maimed/dead people before we do something about this. Pity.

Atomic Poetry

On 1-Jun-1945, six weeks after the death of Franklin Roosevelt, new U.S. President Harry Truman convened a meeting to update the status on and debate the use of the soon-to-be-born atomic bomb. But first, at the Pentagon, a group consisting of James Byrnes (soon to be Secretary of State), generals George C. Marshall and Leslie Groves, Robert Oppenheimer and Enrico Fermi, among others, convened to make a decision on how to advise the new president on the bomb.

Secretary of War Henry Stimson was also present … and well prepared:

“Stimson was now focused exclusively on the atomic bomb. He had become transfixed by its potential historical impact. He had prepared handwritten notes for these meetings, which curiously read like modernist poetry. The verse was a window into the secretary of war’s state of mind.”

His notes:

Its size and character
We don’t think it mere new weapon
Revolutionary Discovery of Relation of man to universe
Great History Landmark like
Gravitation
Copernican Theory
But, Bids fair infinitely greater, in respect to its
Effect
—on the ordinary affairs of man’s life.
May destroy or perfect International
Civilization
May[be] Frankenstein or means for World Peace

—Secretary of War Henry Stimson | 1-Jun-45
As quoted by A. J. Baime, The Accidental President. New York: Houghton Mifflin Harcourt, 2018.

The Accidental President is fascinating reading, while the jury is still out on Stimson’s poetic questions.

Remembering the Past

Remembering Bill Schock on his 100th birthday … and the 52nd anniversary of Braniff 250 in Falls City. Also … feeling old from … time flying and stuff.

Since the AM2431 crash in Durango a few days ago appears to be from weather-related causes, never forgetting the lessons of BN250, as well as CO426, OZ809, EA66, PA759, DL191, and US1016 is as important as ever. Hope today’s flight crews are paying attention.

Warm Summer Night

Terrible quality, but is there anything better than a warm summer night playing in – er, rather sitting near the lawn sprinkler under a street light while watching the 21:00 evening arrivals at KBNA? Well, maybe if I was still 10 …

For Bill

Back in 2014, I included a chapter in my book detailing Bill Schock’s war experiences as they related to his reporting on the crash of Braniff International flight 250 in 1966.

The editors at McFarland, rightly but regretfully, suggested I delete the chapter since it was rather tangentially related to the subject, namely “Deadly Turbulence: The Air Safety Lessons of Braniff Flight 250 and Other Airliners, 1959-1966.” (Yeesh, that title.) They wanted 80,000 words; I gave them 96,000, so yeah, some cuts were needed—like the chapter about events which happened in 1966.

But for what it’s worth, in honor of Bill, here’s the deleted chapter. I hope it does him at least some honor.

Farewell, Bill. Thank you.

Update 05:00 26-Jun-18: I revised the chapter to correct a few annoying typos and to add some information, including original source documents for Bill’s war record. Click the link below again to get the revised version. Thanks!]

Read the chapter at this link:
«Deleted Chapter About Bill Schock from Deadly Turbulence by Steve Pollock»

A Final “Hangin’ Out the Warsh”

«This is Bill’s final column» out of countless ones he wrote over 71 years for the Falls City Journal.

With this column, he said farewell; the Journal has been sold and moved to a much smaller space in downtown Falls City which it had occupied until 1950.

It’s all extremely symbolic of the state of small-town journalism in the wayward America of the 21st century.

He wrote about one memory that I can personally relate to very much from my time at the Duncan Banner:

“A man came into the office and was pondering over the counter. Finally, he said, ‘I guess I’ll keep on another year. It ain’t the best paper in the world, but it is something to read.’ Another time a man brought an ad in for placement in the Journal and when he was told the price he said, ‘The old man gave me a better price.’ The clerk said, ‘Who’s the old man?’ He said ‘Bill Schock.'”

Falls City Journal

More Grief

This is kind of like how I feel about my (possibly four) upcoming surgeries: I don’t want to do this, but I have to, and I hate it.

Received a kind e-mail yesterday telling me of the death of Bill Schock of Falls City, NE, on Thursday evening, six weeks short of his 100th birthday. Cripes, 2018, you’re just not going to let up, are you? This bites very hard.

I’ve written and posted photos and documents here about Bill before. Without him, I would never have finished my first book; in fact, without him, there would have been really no book at all, because his photos and reporting about the crash of Braniff International flight 250 near Falls City in 1966 form the foundation of the book and provide witness to the events of the tragic night of 6-Aug-1966. He very graciously gave, with no expectation of anything in return, photos, archives, notes and the permission to use them.

But more, far, far more than that, he was what most of us can only aspire to be: a man of his generation who played an important part in his country’s fight against global fascism, and an exemplary journalist, the highest ideal of American newspaper reporting. At a time of a resurgence of fascism and a retreat into seeming death of (especially small town) American journalism, this is a particularly hard blow. It was inevitable. But still.

Bill fell last week, suffering cuts and bruises. But his hospital checkup revealed something he had, typically, kept quiet: he had end-stage liver cancer. He died Thursday night.

Also typically, he wrote just a simple six paragraph obituary for himself, leaving out … well, most of his singularly extraordinary life. His grandson fortunately took it in hand and summed up Bill’s amazing life in the «obituary that was actually published here by the funeral home»:

“Bill Schock, a war hero who helped save the world from fascism and a beloved pillar of the Falls City community his entire remarkable life, years ago penned his own obituary and tucked it away for safekeeping. “Papa,” as he was affectionately known by his grandchildren and great-grandchildren the past 50 years, used just six small paragraphs and half a sheet of paper in understating an iconic life worthy of a weighty tome, chapters of which could be mistaken for fiction. Words like “hero,” “beloved,” “pillar,” “remarkable,” and “iconic” were not included, nor even considered. There was no mention of “Bill Schock Blvd.” or the myriad of individual honors and awards earned either professionally, during a 70-year career at The Falls City Journal, or civically, when he served on the City Council, School Board, Hospital Board, Rotary Club, Veteran’s Service Committee and Nebraska Outstate Daily Publishers Association, just to name a few. It read only that “Bill has served on numerous boards.” It was that modesty that helped make Falls City’s love for Bill Schock rival only Bill Schock’s love for Falls City. …”

Dorr and Clark Funeral Home, Falls City, NE

Read the whole thing. Bill’s was a life well-lived, and for many people, including me, “icon” and “hero” are highly appropriate words. I typically don’t like the words “hero” or “heroism;” they’re trite and overused. Just my parents and my husband have always been my “heroes.” Beyond that? Well, I’ve found few that can exhibit real “heroism.” In fact, these days, you’re a hero if you spend a few hours suffering from a hangnail, or put a piece of trash in a garbage bin. Bill however; now there’s someone I can look up to as an actual hero.

He gave in, fortunately for us, to his family’s urging to write a memoir of at least his World War II experience. “Thrills, Chills and a Spill,” is fascinating reading. Very few copies exist, since he apparently didn’t think anyone else would be interested. (!!!!!) I fortunately found a .pdf of it and it’s pretty spellbinding. And very vintage Bill. He ends it with this summing up:

“As we leave Europe and the war behind us, I can’t help but think of the one year, nine months and 22 days spent here in history’s worst war, trying to do my small bit for my country. It sure as heck wasn’t fun and games!
“But like the feller says, I would’t do it again for a billion bucks. And, on the other hand, I wouldn’t take a billion bucks for what I’ve gone through.
“They just have to be the greatest experiences of my life.”

And the book is just one year, nine months and 22 days out of 100 years of his amazing life. The other 98 were exemplary of sacrifice, service and great good fun, from bombing the hell out of German fascists to listening to countless school board meetings. This one is devastating. Heart-breaking. Who can replace his extremely large shoes? I wish I knew.

Farewell, Bill Schock. Sir, we appreciate, thank and salute you, not only for your time in uniform, but also and especially for your long service out of it. You are keenly missed.

Shooting Up the Waffle House, Naked

In all this pouring (and pouring and pouring) rain, how difficult is it to find a naked man running around after he assaulted a Nashville Waffle House at 3 a.m. with an AR-15 and killed four people? And this after he was arrested last July by the Secret Service for being in a restricted area near the White House and is known to FBI and Illinois authorities for various other gun-related incidents, but who probably could do nothing because … Second Amendment?

Apparently very difficult, ‘cause he’s still running around., although he apparently stopped by his apartment and put on some clothes. So at least there’s that.

The slaughter was stopped by an unarmed restaurant patron (not, it should be noted, by an armed teacher or armed waitress packing a tommy gun with her smothered, covered, chunked and diced hash browns).

He’s insane. Thoughts and prayers are insane. And a country that lets slaughter like this continue is insane.

For the rant, sorry, but not sorry, you know? Back to packing!

Closing Tomorrow

Closing on the new house at 11 a.m. tomorrow! VERY happy. His Majesty is preparing final addresses for the Cats of Saddlebrooke/Hermitage, then he and the Royal Court will be off at the end of the week to invade and conquer the new land of Jonesboro/Nashville. Wish him luck; there is a very giant, very loud coonhound living behind our new house and this is gonna get very interesting. We’re buying earplugs.

Shuttling Between Failures


Turning Sows’ Ears into Silk Purses

This one truth we know: 2017 was disastrous on many levels, including in commercial aviation. Airline corporate boards’ are ever ramping up on their war on passengers, pilots and cabin crew. But there was a very tiny yet significant bright spot noted in The Washington Post and elsewhere: « 2017 was the first year since the advent of passenger air travel that no one died in a commercial airline accident ».

“The Aviation Safety Network estimated there were nearly 37 million flights in 2017, more than any year in history, meaning that aircraft mishaps are declining even as the number of flights continues to rise. The last commercial jet airline crash in which more than 100 people were killed was Oct. 31, 2015, when 224 lives were lost after a flight from Russia broke apart in Egypt. The ASN, which tracks crashes using different metrics from those to70 uses, showed 10 recorded crashes involving small propeller planes and cargo aircraft, killing 44 passengers and 35 people on the ground in 2017. In 2016, the group counted 16 accidents with 303 dead.”
—The Washington Post, 2-Jan-18

But in true 2017-was-an-asshole form, even that tiny bright spot was tarnished when the Personality-in-Chief who shuttles between golf courses and Pennsylvania Avenue on a pimped-out Boeing 747 at considerable taxpayer expense, took credit for last year’s remarkable airline safety record. Urk.

For the Golfer-in-Chief to take credit for this is beyond offensive and insensitive and a lie. It blackens the names of people like Eastern 304’s Grant Newby and Braniff 250’s Don Pauley and Jim Hilliker and Ruth and Mitchell Kuhr and USAirways 1549’s Sully Sullenberger and Jeff Skiles and those dead and injured on Southern 242 and Delta 191 and Air Florida 90, plus all the CAB/NTSB investigators, FAA enforcers and weather experts like Dr. Ted Fujita and Dr. Fernando Caracena … and on and on. And especially all the flight crews who thousands of times a day implement what was learned in the past and get us safely to Lawton and Houston and Milwaukee and Paris and Hong Kong and Lagos.

Let’s be clear: The Ego-in-Chief had absolutely nothing to do with the absence of death on the airways last year. And it was a slap in the face and highly offensive to the memories of all the people who died and all the people who worked so hard to prevent future recurrences. Their great sacrifices are the real reason why we can fly from Dubuque to Fort Myers … Without. Dying. In. A. Plane. Crash. Now you are admittedly shoved into a tiny space with little air and subject to appalling treatment, but you are more likely to be killed by being beaten up by rogue security forces (or being shot by a toddler with Granny’s gun) than you are from Dying. In. A. Plane. Crash. Airlines, airports, police and corporate boards have much work to do on the ground to equal the safety record in the air.

In fact, the record of the former deadbeat owner of the “Trump Shuttle” is pretty clearly the opposite of admirable airline operation, safety and responsibility. The Boston Globe did « a very through review in 2016 » of how the pioneering Eastern Airlines Shuttle was destroyed by Frank Lorenzo and the man who appears to be the current incarnation of P.T. Barnum.

These two Vandals have the same egos and desire to destroy, but Lorenzo actually had some brains to carry it out. Unlike his business partner.

The story is sordid and long, but the details were made clear by Matt Viser’s excellent Globe piece. To wit: Lorenzo sold the Donald the Eastern Shuttle for an overvalued $365 million (if DT had created a brand-new shuttle from the ground up with brand-new planes, not old worn-out 727s, estimates were that he could have done it for $300 million.) Of course, the money was all borrowed. It was 1989; Eastern (and Continental) were already almost dead from Lorenzo’s sledgehammer and the economy was tanking. Pan Am 103 was bombed, the first Gulf War was about to begin. It was incredibly bad judgement to overpay a bunch of other peoples’ money for something that was guaranteed to tank.

The now-decades-old D.T. playbook was followed from the beginning. D.T. started his airline foray by … snarking about Pan American, which had put in more hard work and suffering and pioneering effort into air travel than D.T. would ever be capable of mustering:

“He suggested Pan Am’s flights were unsafe, that the company was strapped for cash and couldn’t spend as much to maintain planes as Trump Shuttle.”
—The Boston Globe, 27-May-16

And, heavy foreshadowing here, true professionals expressed their disgust over his statement, which, both then and now, is like pissing in the wind:

“We said, ‘Donald, don’t ever do that again,'” recalled Henry Harteveldt, who was the company’s marketing director. “It was wrong. We had no proof to back that up. And there’s an unwritten rule in the airline business that you don’t attack someone else’s safety record. There but for the grace of God go I.”
—Ibid

In other words, D.T. (and countless weak attempts to contain his insanity) has never changed. He was just given 21st century tools to broadcast his uninformed and misguided vitriol to a wider audience, i.e. Twitter. And this time, he has nuclear annihilation capabilities instead of a piddly little failing airline.

But back to 1989. As Harteveldt stated, “There but for the grace of God go I.” The Shuttle was pretty crappy safety-wise from the beginning, and he did nothing to improve it, partly because he had zero aviation experience. The grace of God was apparently withdrawn:

“And Trump’s unfounded remarks about Pan Am safety? They almost immediately came back to bite him. Trump’s own airline was struck by a near-tragedy within its first three months, when the nose gear failed on one of his jets and forced a crash landing at Logan.”
—Ibid

As is noted, investigators found the nose gear failure cause: A “mechanic had used the wrong part in the gear mechanism, and it eventually disintegrated and locked the gear in place,” a safety failure that had happened under Lorenzo’s watch.

“Trump — who weeks earlier had made claims that he would send all of his own planes through X-rays to make sure they were safe — turned on the TV and watched as CNN showed a Trump Shuttle flight circling the air. “After several attempts to jar the nose gear loose, and after circling around to burn fuel, the pilot landed on the back two wheels, slowing the plane down as much as possible before lowering the nose of the plane onto the runway.”
—Ibid

He then flew up to Boston on a Trump Shuttle flight. Hilariously tragic: He “was kind of a nervous flier” and asked one of his airline executives, “Is this thing safe?” I can’t think of a more perfect illustration of his public-huckster/private-doofus personality … and oh, the foreshadowing!

Once in Boston, he praised the “maestro” pilot who sucessfully landed the flight, Robert Smith. And in another bit of foreshadowing, Smith loved D.T. right back:

“The ‘maestro’ that day, pilot Robert Smith, said Trump had been advised not to come up — so as not to draw attention to the crash — but Trump disregarded it. “He was very happy with the crew,” said Smith, who after decades in the airline industry called Trump “the best boss I’ve ever had.” “And I think he was very happy with the exposure he got that day. He handled it beautifully.”
—Ibid

I smell Stockholm Syndrome and future Trumpista voters; you know, the ones who voted for him but who will bear the full brunt of his destructive con. But I digress. I love the followup to “He handled it beautifully”:

“One of the passengers on that flight — who recalls sliding out the aircraft and into a pile of foam — was Mike Murphy, a veteran Republican strategist who worked for Jeb Bush and his super PAC to try to defeat Trump. “Afterward,” he said, “all I got was a form letter and a drink coupon.”
—Ibid

While Murphy is, like myself, biased against him (or rather his con jobs and inability to grasp reality), facts are facts. A drink coupon for an emergency evac is hardly handling things “beautifully.”

In fact, his own marketing executive at the Shuttle summed up this “beautifully handled” situation:

“‘He certainly was a man known for his bravado. He promised people a diamond in the sky when we had 21 of some of the oldest, worst maintained 727s then flying,’ said Harteveldt, the marketing director. ‘He’s giving a press conference promising a diamond in the sky. I’m saying, “You may have to settle for cubic zirconium to start.””
—Ibid

Perhaps if he had “x-rayed” (!) all those 727s and found the gear part problem the whole situation would not have had to be “beautifully managed” in the first place.

Ultimately, the shuttle was “successful enough to cover operating costs but not enough to pay down the debt.” Meanwhile, D.T. was divorcing his wife and marrying his mistress, something which happened twice, but does not bother the opportunistic evangelicals flitting around his head. But I digress.

After just 12 months, he fired an executive (who had insisted that the 727 needs two pilots and a flight engineer, even though D.T. wanted to fly them with just two pilots to save money) and laid off 100 employees. After 18 months, the shuttle lost $128 million dollars. After 30 months, he golden parachuted out:

“In late 1991, about 2½ years after Trump had purchased the airline, Trump gave up control of his prize in order to get out from a pile of debt. As part of the deal, Trump was no longer responsible for some $245 million in loans left on the shuttle airline. In addition, out of the $135 million that Trump had personally guaranteed, at least $100 million was forgiven, according to news reports at the time.”
—Ibid

Absolved from $245 million in loans and welshing on $100 million which he had “personally guaranteed.” He was out only $35 million while banks and others were left holding the bag. Said he: “I felt successful. The market had crashed. I didn’t lose anything. It was a good thing,” he said.

A very good thing for him indeed. The human wreckage he left? Not so much.

Apologies to The Globe and Matt Viser for so extensively quoting from the article, but it needs rebroadcasting to as many people as possible. Kudos.

But instead of focusing on D.T.’s usual nonsense, we should focus on remembering and honoring the memory of the thousands of casualties and millions of worrkers who made 2017 the safest commercial aviation year in history. May 2018 continue the trend.

[Text by HawkEye. Photo by Rob Potter via Unsplash]

Same Here


In Which I Join in on a Hashtag, God Help Me!

There’s this thing that has been closely guarded for going on 40 years in 2018. It’s my secret. So as it hits its 40th birthday in our new year, I decided it’s time to tell the world.

#MeToo.

There. It’s out. More is coming.


[Text by HawkEye. Photo by Mihai Surdu via Unsplash.]