Regarding < this interview in the New Yorker>: A response. As I know from being a reporter (and as opposed to the myth we all had agendas), all I had to do was let someone talk and then print a transcript. They showed their moral bankruptcy or stupidity or cupidity themselves without help. This reporter...
Use < this > as a guide for the next years of the collapse of the American republic, the destruction of which is fully underway.
We can’t afford it but it’s real. Don’t forget: Ignore outrages and DJT. Focus on Tom Homan and Stephen Miller, who remind me of Eichmann and Heydrich. Read the stories not only of Oskar Schindler and The Franks, but of Corrie ten Boom and the price of providing sanctuary for undesirables. Worth every penny. Corrie’s...
"... this is probably the granddaddy of all product placement movies, far more egregious than even Joan Crawford's conspicuous scattering of Pepsi bottles in Strait Jacket ..."
"Basically, amoral social climber from poor background seduces poor factory girl, gets her pregnant, wants to marry a rich socialite and so kills poor factory girl by smashing her in the head with his tennis racket and dumping her body in a lake, fakes a canoe accident, trips self up by being basically an idiot, dies in electric chair after mercy is refused by Governor Charles Evans Hughes."
"It's hard to think of a better illustration of the end of the European theater of war free of the pernicious and ubiquitous American boo-yah of so many countless war films."
"Konrad Wolf's 1968 feels like a real 1945; he takes us back to his youth and we're submerged in the fog that he had to navigate through once upon a time."