What should we come to … if political denunciation is to be turned without check against art?
Category: World War II
You Get Out
“It’s all almost too stereotypical,” Shore reflects. “A 1930s-style military parade as a performative assertion of the Führerprinzip,” she says, referring to the doctrine established by Adolf Hitler, locating all power in the dictator. “As for Los Angeles, my historian’s intuition is that sending in the national guard is a provocation that will be used to foment violence and justify martial law. The Russian word of the day here could be provokatsiia.”
On Courage to Stand Your Ground
Regarding < this interview in the New Yorker>: A response. As I know from being a reporter (and as opposed to the myth we all had agendas), all I had to do was let someone talk and then print a transcript. They showed their moral bankruptcy or stupidity or cupidity themselves without help. This reporter…
198 Methods of Non-Violent Action
Use < this > as a guide for the next years of the collapse of the American republic, the destruction of which is fully underway.
Fatigue is Not Our Friend
We can’t afford it but it’s real. Don’t forget: Ignore outrages and DJT. Focus on Tom Homan and Stephen Miller, who remind me of Eichmann and Heydrich. Read the stories not only of Oskar Schindler and The Franks, but of Corrie ten Boom and the price of providing sanctuary for undesirables. Worth every penny. Corrie’s…
An 80-year-old Letter
Movie Night: The Yellow Rolls Royce
“… this is probably the granddaddy of all product placement movies, far more egregious than even Joan Crawford’s conspicuous scattering of Pepsi bottles in Strait Jacket …”
Movie Night: An American Tragedy
“Basically, amoral social climber from poor background seduces poor factory girl, gets her pregnant, wants to marry a rich socialite and so kills poor factory girl by smashing her in the head with his tennis racket and dumping her body in a lake, fakes a canoe accident, trips self up by being basically an idiot, dies in electric chair after mercy is refused by Governor Charles Evans Hughes.”
Movie Night: Die Brücke
“It’s hard to think of a better illustration of the end of the European theater of war free of the pernicious and ubiquitous American boo-yah of so many countless war films.”
Movie Night: Ich War Neunzehn
“Konrad Wolf’s 1968 feels like a real 1945; he takes us back to his youth and we’re submerged in the fog that he had to navigate through once upon a time.”